Home is where the heart is—but, on the silver screen, it can be a bit forlorn. In his recently published broadside publication Sad People in Modernist Homes in Popular Films, Los Angeles–based designer and art director Benjamin Critton explores the much-maligned trope of the Modernist home in popular culture, with contributing essays from writers Erik Benjamins, Andrew Romano, Adam Štěch, and Mimi Zeiger, that explore the topic with humor, a critical eye, and a winking irreverence. We recently caught up with Critton to chat about Sad People—the long-awaited follow-up to his 2010 edition, Evil People in Modernist Homes in Popular Films—and what filmic mood may strike him next for volume three of the ongoing project.
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