As Paris emerges from lockdown and its streets come alive, the Fondation Cartier pour l’Art Contemporain, an art center located in the capital’s 14th Arrondissement and operated by a philanthropic arm of the famed French jeweler, is simultaneously in bloom. This week, it opened “Cherry Blossoms” (on view through January 2, 2022), an exhibition of expressively impastoed, large-scale oil paintings by British artist Damien Hirst that portray the flowering tree. The show, which marks Hirst’s first solo presentation in France, builds on the institution’s history of celebrating the natural world within its exhibition spaces—including the perennial plant–focused group show, “Trees” (2019–2020), and a 2019 survey of Japanese architect Junya Ishigami’s biomorphic, landscape-centric designs—as well as Hirst’s knack for making visceral, attention-grabbing creations, such as his notorious menagerie, preserved in tanks of formaldehyde. His massive canvases maintain the same riveting quality, depicting flowers through gestural brushstrokes and garish, dense, immersive masses of color. “I always just try to keep reinventing myself,” Hirst recently told the BBC. “My mum used to say, ‘There’s enough horror in the world. Why can’t you just paint flowers?’ So maybe she got to me.”