Elizabeth Dee on Rethinking the Canon of 20th-Century Art
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Since 1997, when she founded her eponymous (now shuttered) gallery, Elizabeth Dee has been a fixture of the New York art scene, a doer and seer known for having her finger on the pulse. A multi-hyphenate collector, curator, and writer, her robust resumé includes authoring monographs about artists such as Josephine Meckseper, Ryan Trecartin, and Meredyth Sparks; a stint as director of the John Giorno Foundation, a position from which she’s stepping down this month; and her most high-profile role, as co-founder and CEO of New York’s Independent Art Fair. An elegant, tightly curated event that remains an outlier in its efforts to elevate overlooked, underrepresented, and unsung galleries or artists, and an Independent champions discovery. True to its name, the fair, which Dee created with Matthew Higgs in 2009, stands out from the global art-circuit pack for its intimacy, intricacy, and consistent high quality.
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