Skip to main content
Membership advertisement
Membership advertisement
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
A ramen bowl by Taku Satoh. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Tabaimo. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Tadanori Yokoo. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Hisashi Tenmyoya. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Akira Minagawa. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Keiichi Tanaami. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
A ramen bowl by Taku Satoh. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Tabaimo. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Tadanori Yokoo. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Hisashi Tenmyoya. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Akira Minagawa. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Keiichi Tanaami. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
Installation view of “The Art of the Ramen Bowl” at Japan House Los Angeles. (Courtesy Japan House Los Angeles)
A ramen bowl by Taku Satoh. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Tabaimo. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Tadanori Yokoo. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Hisashi Tenmyoya. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Akira Minagawa. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)
A ramen bowl by Keiichi Tanaami. (Photo: Hiroshi Tsujitani. Courtesy Nacasa & Partners Inc.)

In Los Angeles, an Exhibition Zeroes In on the Ramen Bowl

Vessels and spoons made by 30 leading artists, architects, and designers feature in “The Art of the Ramen Bowl” at Japan House Los Angeles.
March 18, 2022
4 minute read
  • Share:

Eating ramen is a multisensory experience: the fragrant steam coming off of the broth, the slurping sound of enjoying the noodles, the cozy heat felt upon touching the bowl. The latter object is the subject of an exhibition called “The Art of the Ramen Bowl” (March 18–July 5) that’s on view at the Los Angeles location of Japan House, an initiative with additional hubs in London and São Paulo that was created by the Ministry of Foreign Affairs of Japan to foster awareness and appreciation of the country through a diverse range of programming. Graphic designer Taku Satoh and writer and editor Mari Hashimoto, deputy director of Tokyo’s Eisei Bunko Museum, curated the show, which was first mounted at Gallery Design 1953 inside Tokyo’s Matsuya Ginza department store in 2014. (The presentation at Japan House L.A. is its first in the United States.) The show features 30 donburi, the porcelain receptacles in which ramen is traditionally served, and renge, the compact, teardrop-shaped spoons that often accompany them, made by 30 leading artists, architects, and designers. Here, the dishware is positioned as vessels for not only the beloved dish, but for history, culture, and self-expression as well.

Subscribe to get exclusive access to our stories, newsletters, events, and more.
Already a subscriber? Sign in
Membership advertisement
Membership advertisement

Keep Reading

The cover of “Not Too Late: Changing the Climate Story from Despair to Possibility” (2023). (Courtesy Haymarket Books)
In “Not Too Late,” a Vital, Kaleidoscopic View on the Climate Crisis
6 minute read
Courtesy Leonard Koren
From “WET” to “Wabi-Sabi”: Leonard Koren’s Adventurous Aesthetic Journey
31 minute read
Rachelle Robinett. (Courtesy Pharmakon Supernatural)
Rachelle Robinett’s Science-Backed Approach to Herbalism
9 minute read
The “Kwaeε” timber pavilion by Adjaye Associates. (Photo: Michelle Äärlaht. Courtesy Adjaye Associates)
An Intellectual African Revolution Comes to the Venice Architecture Biennale
8 minute read
Jasmine Marie. (Photo: Gerald R. Carter Jr.)
A Breathwork Practitioner Making Space for Black Women to Feel Free
16 minute read
Object No. 118, a set of white ceramic bowls, in the New York City home of Kate Berry, chief creative officer of Domino magazine.
Paola Navone’s “Take It or Leave It” Objects, as Seen in Their New Homes
5 minute read
Tom Delevan with his new Archival rug collection for Beni Rugs. (Courtesy Beni Rugs)
Tom Delavan on What He Watches to Laugh, Relax, and Unwind
11 minute read
John Pawson. (Photo: Gilbert McCarragher. Courtesy Phaidon)
John Pawson’s Approach to Making Life Simpler
23 minute read
Daniel Humm. (Photo: Craic McDean)
Daniel Humm’s Giant, Thought-Provoking, Plant-Based Pivot
15 minute read
GUBI’s presentation at Bagni Misteriosi for Milan Design Week. (Courtesy GUBI)
15 Standouts From Milan Design Week
13 minute read
View of the “Take It or Leave It” exhibition. (Photo: Antonio Campanella)
Our Milan Design Week Exhibition as a Celebration of Paola Navone’s Prolific Practice and Generous Spirit
8 minute read
Daniel Rozensztroch at the “Take It or Leave It” exhibition. (Photo: Antonio Campanella)
Daniel Rozensztroch on Curating “Take It or Leave It”
12 minute read
Photo: Antonio Campanella
Live From Our “Take It or Leave It” Exhibition
2 minute read
Frances Moore Lappé. (Photo: Mamadi Doumbouya)
Frances Moore Lappé on Fifty-Plus Years of Plant-Based Eating (and Living)
19 minute read
“Untitled (Coalescence)” (2021), an installation made of resin, LED lights, and a microprocessor, by New York–based artist Palden Weinreb in the Rubin Museum’s Mandala Lab. (Photo: Rafael Gamo. Courtesy the Rubin Museum)
Ivy Ross and Susan Magsamen on the Science-Backed Pleasures of Neuroaesthetics
8 minute read
Paola Navone. (Photo: Antonio Campanella)
Paola Navone on the Radical Act of Giving Things Away
23 minute read
A collective house near the Catholic mission on the Catrimani River in the Roraima state of Brazil, photographed by Claudia Andujar in 1976. (Courtesy the artist)
The Cosmovision of the Yanomami People and the Violent Forces That Threaten Them
12 minute read
One of three versions of Thomas Ball’s sculpture “Emancipation Group” on view at “re:mancipation.” (Courtesy the Chazen Museum of Art and the Colby College Museum of Art)
Sanford Biggers, a Collective of Artists, and a Museum Interrogate a Problematic Abraham Lincoln Monument
10 minute read
Lesley Lokko. (Photo: Murdo Macleod. Courtesy the African Futures Institute)
Lesley Lokko Positions Africa as a Laboratory for Harnessing the Vast Possibilities of the Future
16 minute read
Jonah Takagi. (Photo: Erik Benjamins. Courtesy Marta)
Jonah Takagi on Media as the Place Where the Practical Meets the Personal
13 minute read
Cover of “Awe: The New Science of Everyday Wonder and How It Can Transform Your Life” by Dacher Keltner. (Courtesy Penguin Press)
Dacher Keltner on Why We All Need Daily Doses of Awe
17 minute read
Karl Lagerfeld in 2014. (Photo: Christopher William Adach)
A New “Cultural Biography” on Karl Lagerfeld Illuminates the Person Behind the Image
23 minute read
Overlapping copies of “No Finish Line.” (Photo: Weston Colton. Courtesy Nike)
Nike Imagines the World 50 Years From Now
15 minute read
The classic “Blue Marble” image of the Earth, taken by the Apollo 17 crew on Dec. 7, 1972. (Courtesy NASA)
Marina Koren on Rethinking the “Overview Effect”
16 minute read
Cover of “Still Pictures: On Photography and Memory” by Janet Malcolm. (Courtesy Farrar, Straus and Giroux)
The Piercing Prose of the Late Janet Malcolm
9 minute read
Pieces in Brush’s “Wave” series of steel objects. (Photo: Takaaki Matsumoto. Courtesy Rizzoli Electa)
Remembering Daniel Brush and His Immaculate, Otherworldly Objects, Paintings, and Jewelry
16 minute read
An Yu. (Courtesy Grove Atlantic)
The Eerie, Dreamlike Piano Melodies Behind An Yu’s Latest Novel
6 minute read
Courtesy Anne Helen Petersen
Anne Helen Petersen on Keeping Media All Around—But at Arm’s Length
11 minute read
The cover of “Question Everything: A Stone Reader,” co-edited by Simon Critchley and Peter Catapano. (Courtesy Liveright)
Simon Critchley on the Sheer Delight of Questioning Everything
13 minute read
Aerial view of the new Son Bunyola hotel in Mallorca, Spain. (Courtesy Son Bunyola)
Five Trendsetters on Their Most Anticipated 2023 Travel Destinations
12 minute read
Washington Square Park in New York City’s Greenwich Village. (Photo: Spencer Bailey)
A Walking Tour of Greenwich Village With Architecture Critic Michael Kimmelman
28 minute read
Clockwise from top left: “The Essentials” from Eleven Madison Home, Ikebana Kit Box from Space of Time, “Conversations with Noguchi,” Ghetto Gastro Ancestral Roots waffle and pancake mix, Gohar World Host Necklace, Rice Factory New York rice, Papier d’Arménie “Discovery Box,” and Michael Kimmelman’s “The Intimate City.”
Eight Distinctive and Delightful Gifts for the 2022 Holiday Season
9 minute read
“Ilan's Garden” (2022) by Doron Langberg. (Courtesy the artist and Victoria Miro)
As Art Basel Turns 20, Miami Art Week Enters a New, Slightly Less Hyped-Up Dawn
12 minute read
Installation view of “Young Lords and Their Traces” at the New Museum. (Photo: Dario Lasagni. Courtesy the New Museum)
Theaster Gates’s New Exhibition Poetically Prods the Meaning of a Museum
6 minute read
Installation view of “RE_________” at the ICA Philadelphia. (Courtesy the ICA)
At the ICA Philadelphia, Sissel Tolaas Presents Smell as a Poetic Provocation
7 minute read
A view of Auster’s performance “Sound Mo(ve)ments.” (Photo: Destiny Mata)
Sara Auster’s Sound Baths Are a Tonic for Our Tumultuous Times
5 minute read
Photo: Zeph Colombatto
Sound Is at the Core of Musician-Turned-Ceramicist Kansai Noguchi’s Vases and Vessels
7 minute read
Courtesy Tertulia
This New App Gives Readers a Place to Convene and Connect
3 minute read
Courtesy Jill Singer
Sight Unseen’s Jill Singer on Why She Doesn’t Actually Consume That Much Design Content
5 minute read
Photo: Andrew Zuckerman
A Start-Up Is Monitoring Space Junk to Enable a More Sustainable Space Economy
8 minute read