Emma Leigh Macdonald
Emma is a writer, exhibition organizer, and editor based in New York. Her work has appeared in for Le Dépanneur, Pin-Up, and W, among others. She has contributed editorial and image research to publications including Paths to Prison: On the Architectures of Carcerality (Columbia University Press), Race and Modern Architecture (University of Pittsburgh Press), and Radical Pedagogies (RIBA Publishing), and provided curatorial and production support to the Canadian Center for Architecture, Het Nieuwe Instituut, and the New Museum.
Emma Leigh Macdonald’s Articles
The title of Yves Béhar’s new monograph, Designing Ideas (Thames & Hudson), gets straight to the heart of the Swiss designer and entrepreneur’s 20-year career. After founding h
Floral jewelry has been a tradition of the French jewelry house Van Cleef & Arpels since it opened its first boutique atFlorae” (on view through November 14), presented alongside floret-filled photographs by Japanese photographer and film directo
“Most of my memories are strongly shaped by smells,” says Mackenzie Reilly, who became captivated by the fragrance worldInternational Flavors & Fragrances, Reilly routinely thinks about aromas in terms of a specific field of creative expression—architecture—as she builds a
Wassan Al-Khudhairi, the chief curator at the Contemporary Art Museum St. Louis, is the curator of this year’s Focus, a Armory Show—one of America’s biggest art fairs, on view from September 9–12 at New York’s Javits Center—that features contemporary
“There should be as many clothing repair shops as there are gas stations,” says Satchel B. Moore, founder of the Saint PScience and Kindness. “After all, there are more pairs of pants in the world than there are cars.” Moore started the initiative, which he ru
Chances are, you’ve smelled perfumer Yann Vasnier’s work without even knowing it. The French fragrance virtuoso, who has
For Cathy and Peter Halstead, the co-founders of Montana’s sprawling Tippet Rise Art Center—the kind of awe-inspiring en
When architect Mies van der Rohe first used the now infamous—and often riffed-on—phrase “Less is more,” it was in refere
Earlier this month, a stately structure covered in angled white bricks opened its doors in the East Williamsburg area ofAmant Foundation, a nonprofit arts organization that values a slow, focused approach in making and viewing art. (It has a sister locatio
“Sustainability” is stamped on so many products these days—having become corporate America’s go-to buzzword throughout tEp. 103 of our At a Distance podcast; he’s trying to tackle this issue head-on through data and analytics.
As Paris emerges from lockdown and its streets come alive, the Fondation Cartier pour l’Art Contemporain, an art center Cherry Blossoms” (on view through January 2, 2022), an exhibition of expressively impastoed, large-scale oil paintings by British artistold the BBC. “My mum used to say, ‘There’s enough horror in the world. Why can’t you just paint flowers?’ So maybe she got to me.”
Earlier this month, Francesca Johanson, editor of the Architectural League’s online publication Urban Omnibus, launched Memory Loss,” a new series with Guernica magazine. These essays seek out sites of remembrance in New York City, addressing a “continuum between private and publ