Melbourne-based Kai Brach, a former web designer and the publisher/editor of Offscreen, an independent print magazine about technology, and Dense Discovery, a weekly newsletter about productivity and inspiration, shares his current media diet with us—and why he firmly believes print has a place in 2020 and beyond.
Describe your morning routine.
Right now, due to the lockdown, I’m moving mostly within a ten-meter [thirty-two-foot] radius in my tiny apartment—from bed to desk to kitchen to bathroom. I usually go for a run in the first half of the day. I’m looking forward to riding my bike to the office, a co-working space I share with some really lovely people, not far from where I live here in Melbourne.
What are some of your go-to, indispensable daily reads and/or listens?
I’m foolish enough to check the news a few times every day: BBC, ABC Australia, and ARD and Der Spiegel (both German)—always on the web, no apps. I subscribe to a lot of newsletters, most of which are somewhere between tech, design, and culture. Over breakfast, I also usually read a couple of articles queued up in my Pocket app.
Any favorite podcasts at the moment?
I think because I don't commute in a car or train, I never really got into the habit of listening to podcasts. Very rarely I put on an episode when I do “non-thinking” work. It’s whatever people recommend in newsletters or on Twitter, but nothing design-related. I really dislike ninety-nine percent of design-related podcasts.
Which outlets do you still prefer to read in print?
I occasionally read some of my—mostly fiction—books in print. Most often, though, I use my Kobo reader. In print, I like cookbooks and coffee-table books. I also enjoy browsing through different magazines, but I don’t read any regularly.
What are some of the best-designed publications, in your mind?
In an era of social distancing and online everything, what’s the place of print media?
The pandemic will pass, so this question is more about print versus digital. I think every medium has its place. We read different media in different ways. A quote comes to mind (that I can’t find the source of, unfortunately): “It’s time to start thinking about paper versus screens not as old versus new, but as different and complementary devices, each stimulating particular modes of thinking for particular times of our day.” [Editor’s note: We found the referenced text, in this Wired story by Brandon Keim, from 2014.] Printed publications have unique qualities that screens can’t match—and vice versa. It’s nice to have the option to pick which ones we prefer.
Any guilty pleasures when it comes to your media intake?
Facebook, Instagram, Twitter, or Tik-Tok?
Twitter—with the fact-checking turned on, please.
Okay, maybe enough news talk for now. What are you watching or reading for pleasure?
I read almost only fiction for pleasure. Current book is All the Light We Cannot See.
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According to business coach Holly Howard, those looking to run a flourishing enterprise should begin by taking a deeper Ask Holly How, in 2012. Since then, she’s worked with more than 500 businesses and founders, guided by the belief that effective entr
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As a stylist, Kate Young has a particular affinity for well-designed things—that is, iconic items that stand the test ofknow what Cartier is. It’s sexy. It’s French. It’s sort of, always, for me, rooted in the seventies.” To kick off Season 2 oHello Fashion, her YouTube show created in collaboration with The Slowdown, the stylist walks through some of the famed French jewelr
Since 1915, New York Public Library users in search of visual information have consulted its Picture Collection. It consists of images cut from magazines, catalogues, and books, each glued to backings and organized into folders enc
In branding and marketing, animal imagery abounds: Lacoste’s crocodile, Bacardi’s bat, Geico’s gecko, Swarovski’s swan, according to the United Nations Development Programme (UNDP), animals appear in approximately 20 percent of all advertisements. These creatures, however, receive little to n
In Chicago, more than 10,000 city-owned lots currently sit vacant, concentrated within predominantly Black and brown comChicago Architecture Biennial in 2015. Now, as the latter biennial’s 2021 artistic director, Brown further expands upon his project, using it to info
The title of Yves Béhar’s new monograph, Designing Ideas (Thames & Hudson), gets straight to the heart of the Swiss designer and entrepreneur’s 20-year career. After founding h
Floral jewelry has been a tradition of the French jewelry house Van Cleef & Arpels since it opened its first boutique atFlorae” (on view through November 14), presented alongside floret-filled photographs by Japanese photographer and film directo
In 1983, French photographer Simon Chaput arrived in New York City for a weeklong trip, and ended up staying for nearly –1991) in California and Japan to “The Floating Piers” (2014–2016) in Italy. Along the way, in 1984, Chaput met the artist and sculptor Isamu Noguchi, who recognized Chaput’s love oNew York,” which he began in 1996, that chronicled the developing built environment of Lower Manhattan.
“In the last few years, something distinctly different has been happening in the ways that technologies come to market, The Economist, and launched a popular tech newsletter and podcast called Exponential View. (Last year, he discussed the present-day role of the smartphone, among other digital-related issues, as the guest on Ep. 56 of our At a Distance podcast.) Azhar cautions against the speed with which innovations such as artificial intelligence, automation, and big data emeThe Exponential Age: How Accelerating Technology Is Transforming Business, Politics and Society (Diversion Books), out next week. With clarity and insight, he outlines new ways of thinking about technology, alongsid
Wassan Al-Khudhairi, the chief curator at the Contemporary Art Museum St. Louis, is the curator of this year’s Focus, a Armory Show—one of America’s biggest art fairs, on view from September 9–12 at New York’s Javits Center—that features contemporary
The concept for Geoff Manaugh and Nicola Twilley’s new book, Until Proven Safe: The History and Future of Quarantine (MCD), began forming about 12 years ago, when the world looked considerably different from the way it does now. During aEp. 33 of our At a Distance podcast) noticed an old quarantine station turned luxury hotel on a picturesque peninsula across the bay. “Our first questions
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In 2018, contemporary art dealer David Zwirner hired the young Elena Soboleva to optimize his galleries’ online sales operation and digital presence—prompting some critics to respond with skepticis
Jonathan Chapman, a professor and director of doctoral studies at Carnegie Mellon University’s School of Design, is intrMeaningful Stuff: Design That Lasts (M.I.T. Press), out next month, Chapman shows how unhealthy patterns of consumption can be disrupted by creating fewer, Why, psychologically, are we excited by new designs? And how can we establish better connections with the things we al
The underlying vision for “A Diagnosis of Time: Unlearn What You Have Learned,” a collaborative exhibition between the ASavannah Centre for Contemporary Art (SSCA) in Tamale, Ghana; and the Ghana Museums and Monuments Board (on view through November 3), is both literally and This is Not Africa: Unlearn What You Have Learned,” currently on view at ARoS through October 24, challenges stereotypical Western notions of African-ness.)
Omer Arbel, an Israeli-born, Vancouver-based artist and designer who creates boundary-defying objects and architecture, Omer Arbel (Phaidon), edited by Stephanie Rebick, an associate curator at the Vancouver Art Gallery, celebrates the depth and bread
As Paris emerges from lockdown and its streets come alive, the Fondation Cartier pour l’Art Contemporain, an art center Cherry Blossoms” (on view through January 2, 2022), an exhibition of expressively impastoed, large-scale oil paintings by British artistold the BBC. “My mum used to say, ‘There’s enough horror in the world. Why can’t you just paint flowers?’ So maybe she got to me.”
Los Angeles–based journalist Doree Shafrir sees beauty in the particular challenges faced by those who find their footin, pours her lighthearted yet critical perspective on her experience into Forever35, a self-care podcast she co-hosts with her longtime friend Kate Spencer, and into her new memoir, Thanks for Waiting: The Joy (& Weirdness) of Being a Late Bloomer (Ballantine Books), out this week. In the book, she interrogates the often overwhelming pressure that people—particular How do you start your mornings?
“Social Works,” a group exhibition that opened this week at New York’s Gagosian gallery on West 24th Street, explores space—and the m
“Clouds are not something to moan about,” Gavin Pretor-Pinney says in a 2013 TED talk. “Far from it. They are, in fact, the most diverse, evocative, poetic aspect of nature.” Pretor-Pinney, a British authoThe Idler, a magazine that extols the virtues of slowness, became fascinated with clouds after noticing them in the skies depicte
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Several years ago, Claus Sendlinger began contemplating ways to address his concerns about overdevelopment in the boutiqSlow, a hospitality venture dedicated to creating places that draw upon their locations’ culture, environment, and history aagriturismo (farmhouse retreat) called La Granja. The working farm practices regenerative agriculture, and teaches visitors how it
Maxine Bédat’s New Book Traces the Lifespan of a Pair of Jeans to Illustrate the Ills of Fast Fashion
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The first Monday in May is synonymous with the Met Gala, a benefit for the Metropolitan Museum of Art’s Costume InstitutVogue. “Designers live for it.” This year, the affair hasn’t happened yet—it may happen this fall—but to mark the annual occathe eighth episode of Hello Fashion, created with The Slowdown.
To stay healthy, we know that our bodies need nourishment, hygiene, and exercise. According to those who study neuroaestEp. 34 of our At a Distance podcast) who runs the International Arts + Mind Lab (IAM Lab)—an initiative at John Hopkins University’s School of Medicine that connects brain scientists with artists to Arts + Health & Wellbeing, an immersive online tool kit that offers visitors an engaging dose of art, and consequent mental fitness, from anywherEp. 11 of our Time Sensitive podcast.)
“A question I get asked a lot is, ‘How do I get your job?’” says stylist Kate Young. “That answer is complex, because pe10th episode of Hello Fashion, created with The Slowdown.
Practically everything the artist, master potter, and writer Edmund de Waal touches turns to dust. Or at least toward the idea of dust. In each of his books—2010’s The Hare With Amber Eyes, 2015’s The White Road: Journey Into an Obsession, and the just-published Letters to Camondo (Farrar, Straus, and Giroux), out this week—dust serves as a profound metaphor. Throughout his work, whether in pottery or prose, de Waal explores various notions a
From a fashion perspective, the Golden Globes stands apart from other award shows for its timing: The event, during whicleft at that point,” says stylist Kate Young in the ninth episode of Hello Fashion (created with The Slowdown), noting that she usually starts working on Globes outfits around Halloween. For the episode
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Arts education opportunities faded fast for kids in the learn-from-home fog of Covid-19. That’s where The Look Make Show, a new TV program by New York City’s Children’s Museum of the Arts, hopes to come in. The cartoon, of which the creatorKickstarter campaign through May 14, focuses on Rod and Coney, two rotund, charismatic artists who refuse to let the pandemic get in the way
Seasoned stylist Kate Young never arrives at any event unprepared. Whether it’s the red carpet, a shoot, or a press funcOn the seventh episode of Hello Fashion, created with The Slowdown, Young shares some of the essentials she places inside every travel bag, along with insider
Debates about whether encyclopedic museums—institutions that collect and contextualize cultural artifacts across time an—should act as more than mere repositories date back decades, but have taken on a new urgency as of late. Now, institutioEp. 12 of our At a Distance podcast), tackled these topics through interviews with nearly 30 leaders, and compiled the conversations in a new book, Under Discussion: The Encyclopedic Museum (Getty Publications). We recently spoke with Grau about the future of institutions and the layered, ever-evolving narra What central issues do encyclopedic museums face today, and what prompted you to explore them?
When attending runway shows, stylist Kate Young keeps her eyes peeled for premiere dresses—gowns to be worn by actressesOn the sixth episode of her YouTube show, Hello Fashion, created with The Slowdown, Young talks about her process for selecting and securing premiere dresses, and highlights f
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Frustrated by the high cost of wellness in America, Brooklyn-based journalist Annie Daly set out to find meaningful alteDestination Wellness: Global Secrets for Better Living Wherever You Are (Chronicle Prism), out May 11. What may sound like a travel writer’s cushy, decidedly pre-Covid boondoggle in fact offer
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When Goodnight Moon was first published, in 1947, the chief children’s librarian at the New York Public Library didn’t like that its story—Goodnight Moon’s honest presentation of sleep and solicitude still resonated with readers, who’ve since purchased more than 48 million
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How Spanish Culture and Color Informed the Styling and Art Direction of Selena Gomez’s New “Revelación” Album
New York–based stylist Kate Young, one of Hollywood’s most highly sought-after, is known for putting the women she dressVogue. This week, Young debuted her new YouTube show, Hello Fashion, created with The Slowdown, where she dives deep into the ins and outs of her trade, and the superior craftsmanship of first episode of the weekly series focuses on how she created a series of photographic art for musician Selena Gomez’s new album, “Re
Earlier this month, Francesca Johanson, editor of the Architectural League’s online publication Urban Omnibus, launched Memory Loss,” a new series with Guernica magazine. These essays seek out sites of remembrance in New York City, addressing a “continuum between private and publ
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In 2018, when writer Amitav Ghosh appeared at the Brooklyn Public Library to discuss his book The Great Derangement: Climate Change and the Unthinkable, Joel Whitney, who manages arts and culture programs at the institution, took note. “I was surprised by Amitav’s main iClimate Reads book club, a yearlong digital initiative launched by Whitney’s department and the advocacy group Writers Rebel NYC earlier this fall, suggests otherwise, with climate-focused fiction titles including Bangkok Wakes to Rain by Pitchaya Sudbanthad, The Veins of the Ocean by Patricia Engel, and Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk on its roster. The club plans to tackle a handful of nonfiction books, too, such as The One-Straw Revolution: An Introduction to Natural Farming by the late Japanese farmer-philosopher Masanobu Fukuoka, and Why We Swim—the focus of next month’s meeting—by swimmer and surfer Bonnie Tsui.
Sometimes—especially in moments of political strife, pandemics, hurricanes, or all of the above—a television plotline caWatch a train wend its way around the fjords and farms of the Norwegian countryside over the course of seven hours, or see a sweater get made, in the time of a typical work day, from A to Z (beginning with shearing a sheep’s wool), set to the tune of cheery foldogs frolicking on a beach, a meandering stroll among flowering cherry blossoms in Japan, and a sailing trip to Tobago, accompanied by the soothing sounds of waves lapping against a boat’s exterior. The format can arguably be traced to n1963 film “Sleep” consisted entirely of his lover, the poet and performance artist John Giorno, napping. Regardless of its subject matter
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This year has been a blur, but many hard truths remain crystal clear. By now, the Trump administration’s glaring and conthe U.S. hit the 9 million mark in virus cases. While President Trump has continued to shirk responsibility, scapegoat other countries, and callously state that it “is what it is”—even as the White House itself has become a hot zone, seeing two waves of infections in the span of a single month—we kTotally Under Control, director Alex Gibney, along with co-directors Suzanne Hillinger and Ophelia Harutyunyan, bring sharp-eyed clarity to t
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An art critic, curator, and author, Antwaun Sargent has become a leading voice for a rising class of Black contemporary The New Black Vanguard: Photography Between Art and Fashion (Aperture), Sargent is serving up his next, as the editor of Young, Gifted and Black: A New Generation of Artists (D.A.P.), highlighting the works of Black artists from the Lumpkin-Boccuzzi Family Collection of Contemporary Art. An exhibition of the same name is currently on view at the Lehmann College Art Gallery (which is temporarily closed due to Covid-19)
New York–based artists and brothers Steven and William Ladd have been creating together for 20 years, using their comple“The Other Side,” on view through Oct. 17 at the Invisible Dog Art Center in Brooklyn’s Boerum Hill neighborhood, the Ladds have welcomed. Offering visceral and emotional depth to a population of society so often silenced and anonymized behind closed doors, t
Election season is upon us here in the U.S., and with all of the anxieties circulating around—pandemic-related risks, poThis is What Democracy Looked Like: A Visual History of the Printed Ballot (Princeton Architectural Press), a new book by Alicia Yin Cheng, a founding partner of the Brooklyn-based graphic design
Brooklyn-based writer and artist Edith Zimmerman served as the founding editor of The Hairpin—the former general-interest women’s website that defined a generation of online journalism, with pieces like the perenn“Women Laughing Alone With Salad”—and has gone on to contribute to outlets including The New York Times Magazine, The Cut, and the podcast This American Life. These days, you can find her work in Drawing Links, a frequently published newsletter of comics and musings. We recently polled Zimmerman about her current media diet. He
You are what you Google and “like.” This is an eerie truism of 21st-century life, where our experience of reality is larThe Social Dilemma, a new docu-drama premiering on Sept. 9 on Netflix, delves into the dangerous human impact that social networking has oCenter for Humane Technology (and our guest on Ep. 35 of At a Distance), says in the trailer: “If technology creates mass chaos, loneliness, polarization, more election hacking, [and] more i
Our summer quarantine days have far too often been spent gazing at web browser windows—far and away from vacation views,Window Swap, a mash-up of the virtual and physical. Designed as a “quarantine project” by creatives Sonali Ranjit and Vaishnav Bala
For the past five years, as one of the co-founders of the annual “JONALDDUDD” exhibition, designer Lydia Cambron has put on one of the most consistently surprising and challenging presentations of
School’s out forever—or at least for the immediate future, depending on what city you live in—and it’s certainly taking hands-on lesson plans, open-sourced and free to download, that are inspired by artists and objects from its permanent collection. “Fashioning
There’s a formula for homicide news stories: Place a TV anchor at the scene of a crime, and state that a victim was shotfatally shot in the U.S., including suicides and accidents. The sheer volume of incidents makes them easy to tune out: We don’t know
Five months on, living in a pandemic has become a new liminal normal, shifting our gaze toward the familiar sights, soun“Pandemic Objects,” an ongoing editorial project that highlights and reflects upon everyday objects (defined in the broadest sense) that hathe gaze of the drone, which has seen a surge in use worldwide in recent months, with people dispatching them in their hometowns—even to takejump rope that gives her pause as she riffles through the museum’s archives, uncovering photos, artworks, and accounts about the
The Internet Archive is one rabbit hole we’ve willingly jumped into more than a handful of times since the quarantine beWhole Earth Catalog, the 1960s counterculture print publication often referred to as “the web before the web existed”—its iconic, jam-packeElectric Whole Earth Catalog, now available on the site. Originally launched in 1998 on CD-ROM (how quaint!), the lo-fi “electric” edition offers a
Home is where the heart is—but, on the silver screen, it can be a bit forlorn. In his recently published broadside publiSad People in Modernist Homes in Popular Films, Los Angeles–based designer and art director Benjamin Critton explores the much-maligned trope of the Modernist home in popular culture, with contributing essays from writers Erik BSad People—the long-awaited follow-up to his 2010 edition, Evil People in Modernist Homes in Popular Films—and what filmic mood may strike him next for volume three of the ongoing project.
Geographer and environmental anthropologist Gina Rae La Cerva spent three years journeying around the world in search of undomesticated food for her new book, Feasting Wild: In Search of the Last Untamed Food (Greystone Books). We recently caught up with La Cerva, currently stationed in Santa Fe, to ask about her media diet. (Ep. 39 of At a Distance.)
For more than 25 years, Paola Antonelli, the director of R&D and senior curator of design and architecture at New York’sDesign Emergency, Antonelli has teamed with renowned London-based design critic Alice Rawsthorn to explore the role design has played—anEp. 25 of our At a Distance podcast.)
States across the U.S. may be entering Phase 2 of post-lockdown reopenings, but short of a vaccine, public health expertQuarantine Coloring Book, uploading a new free, downloadable image by a different illustrator each day. The project exploded overnight, with thoAccording to research, coloring can have a similar effect on our minds as meditation, helping to ease anxiety, fears, and restless thoughts—i
As museums around the world (or, most of them, anyway) remain closed, and a once-global calendar of openings and festiva@covidartmuseum—started on Instagram by three Barcelona-based art directors, Emma Calvo, Irene Llorca, and Jose Guerrero—has become som
For the better part of the past decade, Cindy Trinh has been documenting social justice movements around New York City with her ongoing Activist NYC project. Here, Trinh, a photographer with a background in law, shares her observations on the current Black Lives Matte