Omer Arbel, an Israeli-born, Vancouver-based artist and designer who creates boundary-defying objects and architecture, gives shape to abstract intangibles—such as light or a magnetic field—by incorporating them into artfully manipulated, often volatile matter, including glass, wax, and concrete. Each form begins with material research, in which he makes space for the intrinsic qualities of a substance (instead of a preconceived idea for it) to inform its appearance, resulting in work that’s conceptual, but not inaccessible: Recognizable pieces, such as sand-cast brass coat hangers or lampshades made from randomly rolled pieces of raw porcelain, are enhanced by Arbel’s experimental strategy for materializing the unseen.
A new monograph, Omer Arbel (Phaidon), edited by Stephanie Rebick, an associate curator at the Vancouver Art Gallery, celebrates the depth and breadth of the polymath’s work. It spans from his debut design, 14.0, a cascading chandelier of clear, cast-glass spheres that was introduced in 2005, to 94.0, a forthcoming series of residences, built using cedar burl offcuts from the local logging industry, on a cliff in Governor’s Point, British Columbia. (Arbel, who presents work through his design studio, OAO Works, and Bocci, a lighting brand he co-founded, titles all of his projects with a number that indicates the order in which it was conceptualized.) Here, he speaks with us about the role serendipity plays in his practice.
“Chance and surprise are fundamental to my process. That’s because, when I first started out, it was very apparent that the best parts of the early works were a consequence of things I hadn’t planned for. The most critically and commercially successful aspects of the chandelier 14.0, for example, were things I never [anticipated]. That was kind of a fork in the road in my career, because I had to let go of a lot of ego, and accept that the piece was successful despite my efforts, not because of them.
From that point on, I was interested in instigating those moments of chance, approaching each project in a very open-ended way. And also in learning from the materials, instead of imposing a vision upon them.
The act of revealing what I’ve made is another area of obsession [for me]. Light is one way that I’ve approached that. It’s strange, but I always prefer the lighting works unlit. I think I find them more interesting, or mysterious, or more complex that way.
The functional goal of the light in a work is secondary to its purpose in revealing the interesting forms that I’ve discovered. The pieces are activated by light, which gives people access to them. They’re not just these mute chunks of stuff that’s weird, and maybe interesting in their shape—they also give you a clue as to what’s happening inside, to how layering of the work exists.”
The underlying vision for “A Diagnosis of Time: Unlearn What You Have Learned,” a collaborative exhibition between the ASavannah Centre for Contemporary Art (SSCA) in Tamale, Ghana; and the Ghana Museums and Monuments Board (on view through November 3), is both literally and This is Not Africa: Unlearn What You Have Learned,” currently on view at ARoS through October 24, challenges stereotypical Western notions of African-ness.)
As Paris emerges from lockdown and its streets come alive, the Fondation Cartier pour l’Art Contemporain, an art center Cherry Blossoms” (on view through January 2, 2022), an exhibition of expressively impastoed, large-scale oil paintings by British artistold the BBC. “My mum used to say, ‘There’s enough horror in the world. Why can’t you just paint flowers?’ So maybe she got to me.”
Los Angeles–based journalist Doree Shafrir sees beauty in the particular challenges faced by those who find their footin, pours her lighthearted yet critical perspective on her experience into Forever35, a self-care podcast she co-hosts with her longtime friend Kate Spencer, and into her new memoir, Thanks for Waiting: The Joy (& Weirdness) of Being a Late Bloomer (Ballantine Books), out this week. In the book, she interrogates the often overwhelming pressure that people—particular How do you start your mornings?
“Social Works,” a group exhibition that opened this week at New York’s Gagosian gallery on West 24th Street, explores space—and the m
“Clouds are not something to moan about,” Gavin Pretor-Pinney says in a 2013 TED talk. “Far from it. They are, in fact, the most diverse, evocative, poetic aspect of nature.” Pretor-Pinney, a British authoThe Idler, a magazine that extols the virtues of slowness, became fascinated with clouds after noticing them in the skies depicte
To showcase the world’s most inventive designers, the London Design Biennale invites participants who represent their coEp. 75 of our At a Distance podcast, recorded last September. “I thought, Well, who do I identify with?”
Several years ago, Claus Sendlinger began contemplating ways to address his concerns about overdevelopment in the boutiqSlow, a hospitality venture dedicated to creating places that draw upon their locations’ culture, environment, and history aagriturismo (farmhouse retreat) called La Granja. The working farm practices regenerative agriculture, and teaches visitors how it
Maxine Bédat’s New Book Traces the Lifespan of a Pair of Jeans to Illustrate the Ills of Fast Fashion
In this age of instant gratification, fast fashion innocently presents itself as a way to meet consumer demand. But behiUnraveled: The Life and Death of a Garment (Portfolio), out next week. In the book, Bédat, a former lawyer (and the guest on Ep. 11 of our At a Distance podcast), traces the lifespan of a pair of jeans to demonstrate the ills that accompany the processes that produce our clothes. What exactly is the driving force behind fast fashion?
The first Monday in May is synonymous with the Met Gala, a benefit for the Metropolitan Museum of Art’s Costume InstitutVogue. “Designers live for it.” This year, the affair hasn’t happened yet—it may happen this fall—but to mark the annual occathe eighth episode of Hello Fashion, created with The Slowdown.
To stay healthy, we know that our bodies need nourishment, hygiene, and exercise. According to those who study neuroaestEp. 34 of our At a Distance podcast) who runs the International Arts + Mind Lab (IAM Lab)—an initiative at John Hopkins University’s School of Medicine that connects brain scientists with artists to Arts + Health & Wellbeing, an immersive online tool kit that offers visitors an engaging dose of art, and consequent mental fitness, from anywherEp. 11 of our Time Sensitive podcast.)
“A question I get asked a lot is, ‘How do I get your job?’” says stylist Kate Young. “That answer is complex, because pe10th episode of Hello Fashion, created with The Slowdown.
Practically everything the artist, master potter, and writer Edmund de Waal touches turns to dust. Or at least toward the idea of dust. In each of his books—2010’s The Hare With Amber Eyes, 2015’s The White Road: Journey Into an Obsession, and the just-published Letters to Camondo (Farrar, Straus, and Giroux), out this week—dust serves as a profound metaphor. Throughout his work, whether in pottery or prose, de Waal explores various notions a
From a fashion perspective, the Golden Globes stands apart from other award shows for its timing: The event, during whicleft at that point,” says stylist Kate Young in the ninth episode of Hello Fashion (created with The Slowdown), noting that she usually starts working on Globes outfits around Halloween. For the episode
Julian Sancton knows a thing or two about bone-chilling temperatures. “For a while, I’ve been visiting a friend’s uncle’Departures magazine for nearly a decade. Despite the getaway’s frigid conditions, he continues, “It’s just so beautiful, and gave Belgica spent a sunless winter frozen in the Antarctic ice. Sancton traces the historic voyage, which wasn’t exactly smooth saiMadhouse at the End of the Earth: The Belgica’s Journey Into the Dark Antarctic Night (Penguin Random House), out this week. We recently spoke with Sancton about what he read during his research, and the ne Tell us about some of your favorite books on polar expeditions.
Arts education opportunities faded fast for kids in the learn-from-home fog of Covid-19. That’s where The Look Make Show, a new TV program by New York City’s Children’s Museum of the Arts, hopes to come in. The cartoon, of which the creatorKickstarter campaign through May 14, focuses on Rod and Coney, two rotund, charismatic artists who refuse to let the pandemic get in the way
Seasoned stylist Kate Young never arrives at any event unprepared. Whether it’s the red carpet, a shoot, or a press funcOn the seventh episode of Hello Fashion, created with The Slowdown, Young shares some of the essentials she places inside every travel bag, along with insider
Debates about whether encyclopedic museums—institutions that collect and contextualize cultural artifacts across time an—should act as more than mere repositories date back decades, but have taken on a new urgency as of late. Now, institutioEp. 12 of our At a Distance podcast), tackled these topics through interviews with nearly 30 leaders, and compiled the conversations in a new book, Under Discussion: The Encyclopedic Museum (Getty Publications). We recently spoke with Grau about the future of institutions and the layered, ever-evolving narra What central issues do encyclopedic museums face today, and what prompted you to explore them?
When attending runway shows, stylist Kate Young keeps her eyes peeled for premiere dresses—gowns to be worn by actressesOn the sixth episode of her YouTube show, Hello Fashion, created with The Slowdown, Young talks about her process for selecting and securing premiere dresses, and highlights f
New York–based stylist Kate Young devotes her YouTube show, Hello Fashion, created with The Slowdown, to explaining the ins and outs of celebrity styling. Her wide-ranging explorations about whOn the series’ fifth episode, Young answers various audience questions, submitted in the comments section of her YouTube channel and on her Instagram.
The Covid-19 pandemic, by its very nature, has led to a universal turning toward—or even retreating to—home. The very noTadao Ando: Living With Light (Rizzoli), out this week, that presents 11 extraordinary residential projects designed by the Japanese architect, who has created more than 100 ho
Frustrated by the high cost of wellness in America, Brooklyn-based journalist Annie Daly set out to find meaningful alteDestination Wellness: Global Secrets for Better Living Wherever You Are (Chronicle Prism), out May 11. What may sound like a travel writer’s cushy, decidedly pre-Covid boondoggle in fact offer
Italian jewelry designer Elsa Peretti, who passed away on March 18, is a constant inspiration to stylist Kate Young’s lifourth episode of her YouTube show, Hello Fashion, created with The Slowdown, surveying some of the brilliant things Peretti made in her lifetime. Young begins by discu
The British-born, Brooklyn-based philosopher Simon Critchley has no shortage of interests. He’s written, in his refreshiThe New York Times, where he moderates its contemporary thinkers opinion forum, The Stone. For his forthcoming book, Bald (Yale University Press), out April 27, Critchley—who teaches philosophy at The New School for Social Research, and was tEp. 42 of our Time Sensitive podcast and Ep. 3 of our At a Distance podcast—compiled 35 of his favorite Times essays, forming an engaging series of short reads that suggest new ways of understanding the world. We recently spoke w
Isolating at home during the pandemic, New York–based stylist Kate Young longed for the hallmarks of awards season: fancthird episode of her new YouTube show, Hello Fashion, created with The Slowdown, she details three of her favorite awards looks: a saffron-colored Vera Wang dress, which MiBrokeback Mountain; a red Prada dress, which Selena Gomez wore to the American Music Awards on Nov. 20, 2016, when she won the Favorite FeI, Tonya.
When Goodnight Moon was first published, in 1947, the chief children’s librarian at the New York Public Library didn’t like that its story—Goodnight Moon’s honest presentation of sleep and solicitude still resonated with readers, who’ve since purchased more than 48 million
According to celebrity stylist Kate Young, anyone can figure out the look that works best for them by creating a mood bosecond episode of her new YouTube show, Hello Fashion, created with The Slowdown. While her mood boards take various forms, including Pinterest boards and entire books of ph
Kate Young, the stylist for red carpet luminaries such as Sienna Miller, Margot Robbie, and Michelle Williams, grew up iVogue, and later, after several years in the Vogue fashion department, as fashion editor-at-large of Interview magazine. On her new YouTube show, Hello Fashion, created with The Slowdown, Young provides an inside peek, through her own distinct, high-low perspective, into the world. In the weekly series, which premiered on Tuesday, Young highlights the quality, craftsmanship, and enduring value of cthe debut episode, Young talks about how she and actor-singer Selena Gomez, a client of hers since 2014, created their latest project togRevelación. In addition to detailing the various looks—including a Valentino haute couture dress—Young FaceTimes with fashion iconHello Fashion as a whole. How did Hello Fashion come about? Why YouTube?
How Spanish Culture and Color Informed the Styling and Art Direction of Selena Gomez’s New “Revelación” Album
New York–based stylist Kate Young, one of Hollywood’s most highly sought-after, is known for putting the women she dressVogue. This week, Young debuted her new YouTube show, Hello Fashion, created with The Slowdown, where she dives deep into the ins and outs of her trade, and the superior craftsmanship of first episode of the weekly series focuses on how she created a series of photographic art for musician Selena Gomez’s new album, “Re
Earlier this month, Francesca Johanson, editor of the Architectural League’s online publication Urban Omnibus, launched Memory Loss,” a new series with Guernica magazine. These essays seek out sites of remembrance in New York City, addressing a “continuum between private and publ
In the era of Covid-19, you might think that Julia Cooke’s book Come Fly the World: The Jet-Age Story of the Women of Pan Am (Houghton Mifflin Harcourt), out this week, was inspired by a longing for air travel, but you’d be wrong. “What I reall
How Snøhetta Translated the Ethos of Bronx-Based Chef Collective Ghetto Gastro Into an Experimental Kitchen
Three years ago, on New Year’s Eve in Havana, artist José Parlá introduced Craig Dykers, a founding partner of the archiSnøhetta, to Jon Gray, one-third of the Bronx-based chef troupe Ghetto Gastro. The two began what would become an ongoing converBurnside, an intimate, flexible café and culinary event space for the Tokyo creative agency En One. (Health restrictions have pr
Blackness as a color and, in some ways, as a culture often finds itself in close proximity to death. Despite the vivid b
In 2019, Madrid-based designer Jorge Penadés founded Extraperlo, a nonprofit exhibition platform for unorthodox work andCurating Curators,” on view Feb. 18–20 at Penadés’s warehouse-like studio as part of this month’s Madrid Design Festival, upends the conv
Hanna Nova Beatrice is the founder and editor-in-chief of The New Era, a recently launched independent Scandinavian design publication. “It grew out of a strong belief in the [power of] priResidence magazine, prefers to consume media the old-fashioned way, with an eye toward periodicals that innovate on physical page How do you start your mornings?
As the world adapts to pandemic life, we’ve seen creativity heroically emerge, in nearly every sector, amid limitations.Kei Truck Garden Contest in Osaka, which brings nature closer to city-dwellers in the form of compact, foliage-filled creations. (The date for t
For most of us, the urge to bring smartphones into our bedrooms is too strong to resist—even when science, and firsthandattest to the habit’s harmful effects. One way to curb the temptation: Loftie, an alarm clock designed to transform sleep spaces into phone-free sanctuaries. Calibrated for the digital age, the dev
Those visiting Japan’s beloved gardens during the winter might be struck by the sight of trees confined within mysteriouyukitsuri—the term for these intriguing rope webs—is a traditional Japanese gardening technique intended to protect trees’ long b
Design can be a powerful tool in times of crisis, when creativity is a crucial element for survival. At the start of theDesigners Against Coronavirus, and in the fall, took the project a step further by documenting 272 of the works in a book of the same name. Nearly all the resources to publish it, from the paper to securing the copyright for each image, were donated, and the
Formgivning, the Danish word for “design,” serves as both a thesis and a call to action in a new book, Formgiving: An Architectural Future History (Taschen), by the Copenhagen-born architectural practice Bjarke Ingels Group (BIG). This is no project-by-project compe
By poking around the murky world of hoaxes, ghosts, spirit paintings, and holograms, A. Joan Saab—the vice provost of acObjects of Vision: Making Sense of What We See (Penn State University Press). We recently spoke with Saab about why things aren’t always as they appear, and the reason
If beauty is in the eye of the beholder, better to be held in the warm focus of Steve McQueen’s gaze than one more narroSmall Axe, his enthralling new five-film anthology now streaming in the U.S. on Amazon Prime Video (and available in the U.K. on
This year has driven many of us to create a de facto home spa—steeping in long, leisurely baths for solace. One such batEkin Balcıoğlu, a Taos, New Mexico–based artist and the founder and editor-in-chief of Hamam, a new quarterly print publication about the culture of bathing that will release its second issue later this month. Hamam, while bursting with originality, has parallels to Wet magazine, the subversive, now-defunct cult classic founded in 1976 by Leonard Koren (who was the guest on Ep. 78 of our At a Distance podcast) that explored pleasure and play through a loosely water-themed lens.
In 2018, when writer Amitav Ghosh appeared at the Brooklyn Public Library to discuss his book The Great Derangement: Climate Change and the Unthinkable, Joel Whitney, who manages arts and culture programs at the institution, took note. “I was surprised by Amitav’s main iClimate Reads book club, a yearlong digital initiative launched by Whitney’s department and the advocacy group Writers Rebel NYC earlier this fall, suggests otherwise, with climate-focused fiction titles including Bangkok Wakes to Rain by Pitchaya Sudbanthad, The Veins of the Ocean by Patricia Engel, and Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk on its roster. The club plans to tackle a handful of nonfiction books, too, such as The One-Straw Revolution: An Introduction to Natural Farming by the late Japanese farmer-philosopher Masanobu Fukuoka, and Why We Swim—the focus of next month’s meeting—by swimmer and surfer Bonnie Tsui.
Sometimes—especially in moments of political strife, pandemics, hurricanes, or all of the above—a television plotline caWatch a train wend its way around the fjords and farms of the Norwegian countryside over the course of seven hours, or see a sweater get made, in the time of a typical work day, from A to Z (beginning with shearing a sheep’s wool), set to the tune of cheery foldogs frolicking on a beach, a meandering stroll among flowering cherry blossoms in Japan, and a sailing trip to Tobago, accompanied by the soothing sounds of waves lapping against a boat’s exterior. The format can arguably be traced to n1963 film “Sleep” consisted entirely of his lover, the poet and performance artist John Giorno, napping. Regardless of its subject matter
For those of us who are lucky enough to have a full plate right now, consider helping those who don’t. One avenue for alCoalition for the Homeless, forced to cancel its annual fall fundraising gala due to the pandemic, is launching the Artist Plate Project, a limited-edition collection of porcelain platters depicting works by 50 legendary artists, including Tauba Auerbach, Ep. 25 of our Time Sensitive podcast). The series will be available on the organization’s website beginning Nov. 16. Profits from the heirloom-worthy tableProspect, will go toward serving the 59,000 New Yorkers who currently live in shelters or who struggle to survive on streets andA recent study by Columbia University predicts that homelessness will increase by 40 to 45 percent within the next year due to Covid-19—making the coalition’
Durham, North Carolina–based journalist and filmmaker Saleem Reshamwala has been particularly productive of late: In addBecoming America anthology, he’s host of the TED podcast Pindrop and a mentor to emerging Asian and Asian-American filmmakers through a new fellowship program called The Sauce.
This year has been a blur, but many hard truths remain crystal clear. By now, the Trump administration’s glaring and conthe U.S. hit the 9 million mark in virus cases. While President Trump has continued to shirk responsibility, scapegoat other countries, and callously state that it “is what it is”—even as the White House itself has become a hot zone, seeing two waves of infections in the span of a single month—we kTotally Under Control, director Alex Gibney, along with co-directors Suzanne Hillinger and Ophelia Harutyunyan, bring sharp-eyed clarity to t
At age 3, Spencer Bailey, writer and editor (and co-founder of The Slowdown), survived the crash-landing of United Airlines Flight 232 in Sioux City, Iowa, on July 19, 1989. In the wake of the tragedy, he found himself the subject of a memorial sculptureIn Memory Of: Designing Contemporary Memorials (Phaidon), examining the power and potential of memorials designed over the past 40 years, from Maya Lin’s Vietnam VeteHere, he describes the process of working on the book, and tells us why the power of abstraction may help us all to heal You began working on this project nearly thirty years after the Flight 232 crash. What has it been like to process and
Japanese artist Makoto Azuma is known for creating poetic botanical sculptures, but the medium in which he works most inFlower Punk, an award-winning film about his work and life, now available for viewing as part of the The New Yorker Documentary series. In just under 30 minutes, director Alison Klayman captures the artist as he creates spectacular arrangements, a“Exobiotanica.” Rigging a camera and a flower bomb to a weather balloon, documenting his terrestrial creation as it soars through the s
Museums and galleries are reopening in New York, and one of the most compelling shows of the season is primed to take plen plein air. Organized by the nonprofit Art at a Time Like This, in collaboration with Save Art Space, “Ministry of Truth: 1984–2020” will reclaim a common component of the city’s visual real estate—the billboard—to display works by an international ran
In 1617, German artist Jobst Harrich completed an oil painting on a copper canvas. The work, which depicts a flaxen-hairposted Harrich’s painting to her feed and tweeted, “maybe if I take my tit out they will stop explaining my own joke back to me.” She applied this tactic to“Conversation in a Park,” depicting a gent gesturing toward a stoic lady (“you would be so much prettier if you smiled”), and a 1959 Norman Rockwell cover for the Saturday Evening Post, which portrays eleven men ganging up on a lone woman in a jury room (“thanks I’m gay now”). The thread went viral. A fMen to Avoid in Art and Life (Chronicle Books), sold out within days of its release. It features more than 90 artworks accompanied by wince-worthy c
An art critic, curator, and author, Antwaun Sargent has become a leading voice for a rising class of Black contemporary The New Black Vanguard: Photography Between Art and Fashion (Aperture), Sargent is serving up his next, as the editor of Young, Gifted and Black: A New Generation of Artists (D.A.P.), highlighting the works of Black artists from the Lumpkin-Boccuzzi Family Collection of Contemporary Art. An exhibition of the same name is currently on view at the Lehmann College Art Gallery (which is temporarily closed due to Covid-19)
New York–based artists and brothers Steven and William Ladd have been creating together for 20 years, using their comple“The Other Side,” on view through Oct. 17 at the Invisible Dog Art Center in Brooklyn’s Boerum Hill neighborhood, the Ladds have welcomed. Offering visceral and emotional depth to a population of society so often silenced and anonymized behind closed doors, t
Election season is upon us here in the U.S., and with all of the anxieties circulating around—pandemic-related risks, poThis is What Democracy Looked Like: A Visual History of the Printed Ballot (Princeton Architectural Press), a new book by Alicia Yin Cheng, a founding partner of the Brooklyn-based graphic design
Brooklyn-based writer and artist Edith Zimmerman served as the founding editor of The Hairpin—the former general-interest women’s website that defined a generation of online journalism, with pieces like the perenn“Women Laughing Alone With Salad”—and has gone on to contribute to outlets including The New York Times Magazine, The Cut, and the podcast This American Life. These days, you can find her work in Drawing Links, a frequently published newsletter of comics and musings. We recently polled Zimmerman about her current media diet. He
You are what you Google and “like.” This is an eerie truism of 21st-century life, where our experience of reality is larThe Social Dilemma, a new docu-drama premiering on Sept. 9 on Netflix, delves into the dangerous human impact that social networking has oCenter for Humane Technology (and our guest on Ep. 35 of At a Distance), says in the trailer: “If technology creates mass chaos, loneliness, polarization, more election hacking, [and] more i
Our summer quarantine days have far too often been spent gazing at web browser windows—far and away from vacation views,Window Swap, a mash-up of the virtual and physical. Designed as a “quarantine project” by creatives Sonali Ranjit and Vaishnav Bala
For the past five years, as one of the co-founders of the annual “JONALDDUDD” exhibition, designer Lydia Cambron has put on one of the most consistently surprising and challenging presentations of
School’s out forever—or at least for the immediate future, depending on what city you live in—and it’s certainly taking hands-on lesson plans, open-sourced and free to download, that are inspired by artists and objects from its permanent collection. “Fashioning
There’s a formula for homicide news stories: Place a TV anchor at the scene of a crime, and state that a victim was shotfatally shot in the U.S., including suicides and accidents. The sheer volume of incidents makes them easy to tune out: We don’t know
Five months on, living in a pandemic has become a new liminal normal, shifting our gaze toward the familiar sights, soun“Pandemic Objects,” an ongoing editorial project that highlights and reflects upon everyday objects (defined in the broadest sense) that hathe gaze of the drone, which has seen a surge in use worldwide in recent months, with people dispatching them in their hometowns—even to takejump rope that gives her pause as she riffles through the museum’s archives, uncovering photos, artworks, and accounts about the
The Internet Archive is one rabbit hole we’ve willingly jumped into more than a handful of times since the quarantine beWhole Earth Catalog, the 1960s counterculture print publication often referred to as “the web before the web existed”—its iconic, jam-packeElectric Whole Earth Catalog, now available on the site. Originally launched in 1998 on CD-ROM (how quaint!), the lo-fi “electric” edition offers a
Home is where the heart is—but, on the silver screen, it can be a bit forlorn. In his recently published broadside publiSad People in Modernist Homes in Popular Films, Los Angeles–based designer and art director Benjamin Critton explores the much-maligned trope of the Modernist home in popular culture, with contributing essays from writers Erik BSad People—the long-awaited follow-up to his 2010 edition, Evil People in Modernist Homes in Popular Films—and what filmic mood may strike him next for volume three of the ongoing project.
Geographer and environmental anthropologist Gina Rae La Cerva spent three years journeying around the world in search of undomesticated food for her new book, Feasting Wild: In Search of the Last Untamed Food (Greystone Books). We recently caught up with La Cerva, currently stationed in Santa Fe, to ask about her media diet. (Ep. 39 of At a Distance.)
For more than 25 years, Paola Antonelli, the director of R&D and senior curator of design and architecture at New York’sDesign Emergency, Antonelli has teamed with renowned London-based design critic Alice Rawsthorn to explore the role design has played—anEp. 25 of our At a Distance podcast.)
States across the U.S. may be entering Phase 2 of post-lockdown reopenings, but short of a vaccine, public health expertQuarantine Coloring Book, uploading a new free, downloadable image by a different illustrator each day. The project exploded overnight, with thoAccording to research, coloring can have a similar effect on our minds as meditation, helping to ease anxiety, fears, and restless thoughts—i
As museums around the world (or, most of them, anyway) remain closed, and a once-global calendar of openings and festiva@covidartmuseum—started on Instagram by three Barcelona-based art directors, Emma Calvo, Irene Llorca, and Jose Guerrero—has become som
For the better part of the past decade, Cindy Trinh has been documenting social justice movements around New York City with her ongoing Activist NYC project. Here, Trinh, a photographer with a background in law, shares her observations on the current Black Lives Matte
Melbourne-based Kai Brach, a former web designer and the publisher/editor of Offscreen, an independent print magazine about technology, and Dense Discovery, a weekly newsletter about productivity and inspiration, shares his current media diet with us—and why he firmly believ
At a time when the constant stream of updates on the Covid-19 crisis feels all-consuming, we’re finding solace in media Emergence Magazine, which covers a wide range of topics focused around ecology, culture, and spirituality. A project of the Kalliopeia FouEmergence offers a mix of op-eds, essays, photo essays, and multimedia stories that bring the vibe and holistic kind of thinking Whole Earth Catalog into the present day.
Journalist Tatiana Schlossberg, the author of the book Inconspicuous Consumption: The Environmental Impact You Don’t Know You Have, reports on climate and environment issues shaping our planet today, from consumer habits and industry practices to theEp. 18 of At a Distance.)
Founded in 1933 in a small town in North Carolina, the storied Black Mountain College was in operation for just shy of 2
Curator and critic Donatien Grau—who was on our At a Distance podcast last week—talks with us here about the new book he produced in collaboration with the late couturier Azzedine Alaïa, Taking Time (Rizzoli), a series of wide-ranging conversations on art, time, and creativity. Among the visionary voices featured—most of whom w
For several years now, climate scientists have been studying “grounding lines”—the point at which a large glacier is buovideo footage of the grounding zone of the Thwaites Glacier, part of the West Antarctic Ice Sheet, where it’s steadily leaking freshwater into the ocean. We now have, in other wor
“The truth of the interaction is the thing that you're trying to get across,” journalist David Marchese, columnist of The New York Times Magazine’s Talk column, says of the craft of interviewing. Known for his deft, often revealing longform interviews with well-known cultural fiWhoopi Goldberg to Radiohead’s Thom Yorke, Marchese maintains a running log of some 500 folks, in his own estimation, that he’d like to one day add to that list.New York magazine, famously captured an 85-year-old Quincy Jones calling Harvey Weinstein “a jive motherfucker,” elsewhere referring to Trump as “limited me
As cities across the United States continue to be locked down amidst the novel coronavirus, with all of us self-quarantiHouseparty, a new video-chat app that our friend the fashion stylist Kate Young tipped us off to. Unlike Zoom or Google Hangouts, it’s designed for more serendipitous and casual mingling among friendactual parties, which suddenly feel further away than ever. The app, which has gone viral in these past few weeks of social di
After NASA’s Apollo 8 orbited the moon in 1968, its crew brought back with them the most stunning of photo souvenirs. “EWhole Earth Catalog and forever imprinted in the public mind. As Anders later said, “We set out to explore the moon and instead discovered
“The news has gotten even faster, and more and more I find myself reading headlines, and then opinions about the headlinEsquire, where he worked on features and fiction for more than a decade. “It feels like you can never actually catch up, or eveThe Chronicles of Now, which commissions authors to produce short pieces of fiction about a timely news topic worth digesting further. Roxane
“I don’t design clothes for the Queen, but for the people who wave at her as she goes by,” the late designer Willi Smith“Willi Smith: Street Couture,” curated by Alexandra Cunningham Cameron, opens next week (and will be on view through Oct. 25) at the Cooper Hewitt, SmKim Hastreiter.
With a chunky marker in hand, artist and illustrator Shantell Martin is widely known for the distinctive black-and-white line drawings she creates in meditative, stream-of-consciousness grLines (Heni Publishing)—with texts from Katharine Stout and Hans Ulrich Obrist—was more of an undertaking than she’d imagined. While the book’sthe @slowdown.tv Instagram—seeing her works printed and bound offers a satisfying second.
As the founder and director of MIT’s Mediated Matter group, the Israeli-American designer and futurist Neri Oxman is pioEp. 16 of our Time Sensitive podcast, “The Biological Age is an age where we have disassociated ourselves from physical materials as the single defining ele
Dutch architect, urbanist, and theorist Rem Koolhaas is the rare figure whose outsize influence is evidenced in cities a“Countryside, The Future” (on view from Feb. 20–Aug. 14) would seem to be a departure from the architect’s career-long focus on cities, an irony
Explorations of black culture and identity in America figure prominently in the work of artist Derrick Adams, whose dive“Transformers,” at Luxembourg & Dayan’s London gallery (on view through April 4), Adams shares new large-scale works from his “Beauty W,” at Frieze Los Angeles next weekend, and his solo exhibition “Buoyant” opens March 7 at the Hudson River Museum in New York. Adams’s work seems to be everywhere these days—we even noticed ona recent New York Times portrait taken at Roc Nation’s Los Angeles offices.
What Los Angeles lacks in density, it delivers in latitude: miles of freeway and a stunning array of neighborhoods, eachPurple editor-at-large Emilien Crespo, a veritable bon vivant, French expat, and Angeleno of more than 10 years. “It’s a toughSoul of Los Angeles (Jonglez Publishing), Crespo shares a list of 30 adventures (chosen from 1,000) for locals and visitors alike in his adLos Angeles Times Pulitzer Prize–winning food critic, and Sqirl’s Jessica Koslow. There’s even a gem to be found in the tourist trap of Hollywood, at the historic Musso and Frank’s Gr
“Architecture is not agnostic about ethics,” writes Michael Murphy, founding principal and executive director of MASS Design Group. “As with art, the political is inherent in architectural choices. Architecture points forward, it must consider the enJustice Is Beauty (Monacelli Press), gathers work from its first 10 years of practice, taking stock of the progressive and public-facing
A fascination with science and nature defines the many avenues of creative work by Danish-Icelandic artist Olafur Elaiss“Symbiotic Seeing,” on view through March 22 at Kunsthaus Zurich, Eliasson once again urges us to be aware of our place in the world, highl
Omar Sosa, creative director and cofounder of the influential interiors magazine Apartamento, tells us about his first curatorial effort, “Comfort,” a group show of unconventional and provocative art and design works—which range from a wonky Ettore Sottsass bookshelf, to a Bless-designed hammock made of pillows, to a toilet-sink hybrid by Guillermo Santoma—on view through Feb. 15 at N
Beatrice Galilee, curator, writer, and the former associate curator of architecture and design at the Metropolitan MuseuThe World Around, a global architecture forum launching Jan. 25 with a conference at the Times Center in New York City.
The Criterion Collection recently launched its on-demand streaming service, the Criterion Channel, which means that you can now stream a majority of the titles from its vast library of art-house essentials. From class
The lasting legacy of the late Japanese-American artist and designer Isamu Noguchi can be seen everywhere in popular culto the point of parody). These are but mere skims on the surface of a vast and rigorous body of work that included playgrounds, landscapes, pla comprehensive archive and expanded catalog raisonné of his life and work. (Full disclosure: this newsletter’s editor is on the museum’s board.)
Capturing the exquisite beauty of the natural world—flora and fauna, various walks of humankind, animals (or, more correcreatures), the cosmos, much of it photographed in arresting and hyperreal detail—is a signature of the photography work of The Snew online store of limited-edition prints and works. Though his subjects may come directly from a natural order, his strikingly rigorous compositions are the result of a s
The name of Stockholm-based studio Humans Since 1982 is a nod to the birth year of its two founders, which might shed some light on their ongoing project “A Million Times,”
We read to grow our perspectives—and in the time of Twitter, long reads allow us to crucially step back from the sea of climate emergency, a term that Oxford Dictionaries has just declared its Word of the Year (other considerations on the shortlist, all perThe Guardian, which, earlier this year, drafted changes to its style guide and deemed the term “climate change” too benign—and inaccurate—for the scope of urgency and danger at hand. Language sh
The French designer Mathieu Lehanneur is known for creating both artful furniture and lighting as well as electronics, with a rare technical craftsmanship thSalon Art + Design fair, on view through Nov. 18 at the Park Avenue Armory, Lehanneur responded to the history of the building itself—a la
One commonality shared by Michael Jackson, B.B. King, Diana Ross, and James Brown: They all did their thing at the ApollThe Apollo, a new documentary about the historic epicenter of black cultural production, community-making, and artistic expression
Last year’s September issue of Vogue was a particularly monumental addition to the pop-culture canon. Not on account of its cover star, Beyoncé, who’d frontVogue cover commission. As Beyoncé put it in the pages of that issue, “If people in powerful positions continue to hire and caacquired by the Smithsonian National Portrait Gallery.