The title of Yves Béhar’s new monograph, Designing Ideas (Thames & Hudson), gets straight to the heart of the Swiss designer and entrepreneur’s 20-year career. After founding his San Francisco and New York–based studio Fuseproject, in 1999, Béhar went on to create objects that could transform the lives of those in underserved communities, such as the XO computer, the centerpiece of nonprofit group One Laptop Per Child, which aims to provide learning opportunities to youths in developing countries; and customizable, ergonomic eyeglasses for kids that are distributed through Fuseproject’s See Better to Learn Better program, which provides free optical services to families who can’t afford them. He has also designed pieces for BMW, Microsoft, and Swarovski, among other brands. Reading about the stories behind Béhar’s efforts, it’s clear that he has never stopped challenging the status quo.
In a moment when our current state of affairs continues to be turned upside down, Béhar’s work is a helpful reminder of the resilient, creative modes of thinking that can emerge in the face of difficulty. We recently spoke with Béhar about how design can impact people and the planet, and the importance of working together to bring big ideas to fruition.
It must be surreal to see your life’s work compiled into a single volume. Surveying it today, what are your main takeaways?
What I was hoping to achieve with the book is to showcase our projects in terms of the often arduous and humbling design process, as well as within their contexts. The projects are organized thematically, but often have crossover.
For example, the most urgent challenge that faces us today is climate change and the inequalities that it creates. How we address that by design is something that I’ve been interested in since the very beginning, whether that’s through choices like low-energy lighting, or new methods of manufacturing. “Reducing” is the first section of the book, and it’s certainly something I’ve focused our design practice on in every project. The themes [which include “Sensing,” “Transforming,” “Giving,” “Humanizing,” and “Scaling”] obviously look back at work we’ve done, but they also carry the biggest opportunities for human and societal change moving forward.
What specific arenas do you see this type of change occurring in?
Looking forward, there’s no doubt in my mind that our biggest contributions are going to be made in health, healthcare, and well-being in general. As we’ve seen [during the pandemic], the gaps in health and healthcare—and the expectations that we have for great service, for information and control, and the ability to control our own health—are going to require a whole new set of services, and a whole new approach.
How has Covid-19 shifted your perspective on the humanitarian work that designers can be doing?
It’s been a dramatic and revealing time. Emerging from the first period of quarantine and stay-at-home orders, [Fuseproject] jumped into action by applying ourselves to real problems. We did a number of projects, including developing ventilators with Massachusetts General Hospital, which are now in African F.D.A. approval because of their low cost, ease of assembly, and open-source approach. We also made a poster campaign for the UN World Health Organization.
More recently, we designed a sticker for Covid-19 vaccinations, including a campaign for California and for the governor’s office called “Immunity Together.” I think this body of work shows the resilience and the adaptability of designers, and how they’re able to jump into the fray, and make a real difference.
Collaboration is central to seemingly everything you do. What value do you see in joining forces with others?
For me, collaboration is the marrying and the merging of two completely divergent crafts or capabilities. A good example of this is our work with Boyan Slat and The Ocean Cleanup, in which we aim to create fully circular products. The eyeglasses we made with them are not only made of one hundred percent ocean plastics, but the more ocean plastics you extract, the more eyeglasses we can make; and the more eyeglasses we make, the more we sell; the more we sell, the more The Ocean Cleanup can do.
I speak a lot about this in the book, because it’s about a group effort to bring to life a vision that simply didn’t exist before. I’m completely open to collaborating with people who are well-known, and people who are not. We’ve shown over the years that very humble projects can actually be the greatest agents of change.
In the early ’90s, artist, aesthetics expert, and writer Leonard Koren was bathing at a hot-springs resort near the Japa
“Magazines may be a dying breed,” says Jon Kelly, a former Vanity Fair editor who founded its politics, business, and technology website, Hive, in 2015, after working as a staff editor for The New York Times Magazine and as a founding team member at Bloomberg Businessweek. (His career in media began at Vanity Fair, as an assistant to the legendary editor Graydon Carter.) “But magazine-style writing is always in vogue.” With this coPuck, a subscription-based website where elite writers tell insider stories that lie at the nexus of Hollywood, Wall Street,
At this and at every moment, the Earth, and all the species who reside on it, are pushing through time and space, surrou
The exhibition “AORA V: nature/nurture” (on view through Feb. 27, 2022) takes place within four tranquil galleries that, thanks to ample room-length skylights
Brooklyn design studio CW&T is on a mission to change our perspectives on time. To do so, it adapts everyday objects—including clocks, pens, patche
To Felix Burrichter, the German-born, New York–based founder of the biannual architecture and design magazine Pin-Up, life is a glorious cacophony of different voices, visions, and ideas—and he can’t get enough of them. “I’m never happy
Marked by a snow-white dial with a texture evocative of tree bark, the SLGH005 timepiece from the Japanese watchmaker Grand Seiko was informed by the shirakaba (white birch trees) that thrive in Japan’s northern region, particularly those near the company’s studio in Shizukuishi
A Fictional World Created by Toyin Ojih Odutola Calls Into Question Real-Life Systems of Power and Gender
New York–based Nigerian artist Toyin Ojih Odutola often uses her creations—eclectic multimedia drawings and works on papA Countervailing Theory” currently on view at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. through April 3, 2022, are possiblyIntersections,” a new body of work by artist Sanford Biggers, who was the guest on Ep. 66 of our At a Distance podcast, on view through Jan. 9, 2022.) Commissioned by the Barbican Art Gallery in London, where it was presented from August
Gabrielle (Coco) Chanel spent her childhood at an orphanage in Aubazines, a commune in central France that was surroundeFive Echoes” (on view Nov. 30 through Dec. 21)—located in the Miami Design District’s outdoor event space, Jungle Plaza—is a sprawlEp. 28 of our Time Sensitive podcast.)
Bernie Krause and United Visual Artists Translate Nature’s Sonic Landscapes Into an Emotive Spectacle
To the attentive ear, symphonies abound—especially in the wild. Musician and author Bernie Krause has been recording natEp. 127 of our At a Distance podcast, has captured more than 5,000 hours of audio created by more than 15,000 terrestrial and marine species in some 2,000 h
When experiencing a crisis, some people see opportunities—for reflection, change, or innovation—that they might not recoAt a Distance podcast was created during (and as a result of) perhaps the widest-reaching calamity in human history—the Covid-19 pandAt a Distance: 100 Visionaries at Home in a Pandemic (Apartamento), out today, presents a selection of these conversations in physical form. The book’s introduction, writte
“The Hare with Amber Eyes” (on view Nov. 19, 2021, through May 15, 2022) is a remarkable, meditative exhibition at New York’s Jewish Museum basedNew York Times bestselling family memoir of the same name by London-based artist, author, and master potter Edmund de Waal (who was thEp. 99 of our At a Distance podcast). The show traces the history and migration of the artist’s relatives, who descended from Charles Ephrussi—a Paris-base
Gucci. The luxury fashion house’s name alone conjures up images of vibrancy, extravagance, experimentation, and offbeat latest episode of Hello Fashion, Young’s YouTube show created with The Slowdown, she investigates how this “world” came to be by illuminating the house
Brooklin, Maine–based science writer and children’s book author Kimberly Ridley began her latest project by setting up aWild Design: Nature’s Architects (Princeton Architectural Press), out next week.
In the sphere of luxury fashion, Dior’s richness of history is practically unparalleled. As stylist Kate Young says, Diolatest episode of Hello Fashion, Young’s YouTube show created with The Slowdown, was filmed. In the episode, Young takes us through Dior’s aesthetic tr
In 1847, French jeweler Louis-François Cartier established a business that bore his last name and specialized in jewels
What does a trench coat represent? For stylist Kate Young, it’s a marker of sophistication, exploration, and evergreen slatest episode of Hello Fashion, her YouTube show created with The Slowdown, Young introduces us to the piece’s original architect—the British luxury f
The nonprofit collective MASS Design Group astutely understands how to promote equity and hope through the built environThe Architecture of Health (Cooper Hewitt, Smithsonian Design Museum), as well as the upcoming Cooper Hewitt National Design Museum exhibition “Design and Healing” (December 10–August 14, 2022)—MASS understands how architecture can impede or advance our collective human rights. (ThEp. 13 of our At a Distance podcast.)
Five years ago, under the cloak of darkness, New York–based floral designer Lewis Miller packed his team and 2,000 dahlias and carnations into a van, and headed for the John Lennon Memorial in Central Park. W
Can clothing be at once opulent and utilitarian, traditional and unexpected, ugly and sublime? Can it be both a statemenlatest episode of Hello Fashion, her YouTube show created with The Slowdown, stylist Kate Young explains the ways in which the Italian luxury fashion h
According to business coach Holly Howard, those looking to run a flourishing enterprise should begin by taking a deeper Ask Holly How, in 2012. Since then, she’s worked with more than 500 businesses and founders, guided by the belief that effective entr
Tantric Buddhist practitioners use mandalas—circular, often ornate, symbolic representations of the universe that can apMandala Lab, an interactive multi-sensorial space that opens October 1 at New York’s Rubin Museum of Art, an institution dedicated
Luxury and utility don’t often go hand in hand. French fashion house Louis Vuitton, however, is a clear exception: As stHello Fashion, her YouTube show created with The Slowdown, the house—though now one of the world’s most recognizable fashion brands—wthe episode, Young walks us through the evolution of the house and its designs, which have consistently checked the boxes for both
As a stylist, Kate Young has a particular affinity for well-designed things—that is, iconic items that stand the test ofknow what Cartier is. It’s sexy. It’s French. It’s sort of, always, for me, rooted in the seventies.” To kick off Season 2 oHello Fashion, her YouTube show created in collaboration with The Slowdown, the stylist walks through some of the famed French jewelr
Since 1915, New York Public Library users in search of visual information have consulted its Picture Collection. It consists of images cut from magazines, catalogues, and books, each glued to backings and organized into folders enc
In branding and marketing, animal imagery abounds: Lacoste’s crocodile, Bacardi’s bat, Geico’s gecko, Swarovski’s swan, according to the United Nations Development Programme (UNDP), animals appear in approximately 20 percent of all advertisements. These creatures, however, receive little to n
In Chicago, more than 10,000 city-owned lots currently sit vacant, concentrated within predominantly Black and brown comChicago Architecture Biennial in 2015. Now, as the latter biennial’s 2021 artistic director, Brown further expands upon his project, using it to info
Floral jewelry has been a tradition of the French jewelry house Van Cleef & Arpels since it opened its first boutique atFlorae” (on view through November 14), presented alongside floret-filled photographs by Japanese photographer and film directo
In 1983, French photographer Simon Chaput arrived in New York City for a weeklong trip, and ended up staying for nearly –1991) in California and Japan to “The Floating Piers” (2014–2016) in Italy. Along the way, in 1984, Chaput met the artist and sculptor Isamu Noguchi, who recognized Chaput’s love oNew York,” which he began in 1996, that chronicled the developing built environment of Lower Manhattan.
“In the last few years, something distinctly different has been happening in the ways that technologies come to market, The Economist, and launched a popular tech newsletter and podcast called Exponential View. (Last year, he discussed the present-day role of the smartphone, among other digital-related issues, as the guest on Ep. 56 of our At a Distance podcast.) Azhar cautions against the speed with which innovations such as artificial intelligence, automation, and big data emeThe Exponential Age: How Accelerating Technology Is Transforming Business, Politics and Society (Diversion Books), out next week. With clarity and insight, he outlines new ways of thinking about technology, alongsid
Wassan Al-Khudhairi, the chief curator at the Contemporary Art Museum St. Louis, is the curator of this year’s Focus, a Armory Show—one of America’s biggest art fairs, on view from September 9–12 at New York’s Javits Center—that features contemporary
The concept for Geoff Manaugh and Nicola Twilley’s new book, Until Proven Safe: The History and Future of Quarantine (MCD), began forming about 12 years ago, when the world looked considerably different from the way it does now. During aEp. 33 of our At a Distance podcast) noticed an old quarantine station turned luxury hotel on a picturesque peninsula across the bay. “Our first questions
When architect Mies van der Rohe first used the now infamous—and often riffed-on—phrase “Less is more,” it was in refere
In 2018, contemporary art dealer David Zwirner hired the young Elena Soboleva to optimize his galleries’ online sales operation and digital presence—prompting some critics to respond with skepticis
Jonathan Chapman, a professor and director of doctoral studies at Carnegie Mellon University’s School of Design, is intrMeaningful Stuff: Design That Lasts (M.I.T. Press), out next month, Chapman shows how unhealthy patterns of consumption can be disrupted by creating fewer, Why, psychologically, are we excited by new designs? And how can we establish better connections with the things we al
The underlying vision for “A Diagnosis of Time: Unlearn What You Have Learned,” a collaborative exhibition between the ASavannah Centre for Contemporary Art (SSCA) in Tamale, Ghana; and the Ghana Museums and Monuments Board (on view through November 3), is both literally and This is Not Africa: Unlearn What You Have Learned,” currently on view at ARoS through October 24, challenges stereotypical Western notions of African-ness.)
Omer Arbel, an Israeli-born, Vancouver-based artist and designer who creates boundary-defying objects and architecture, Omer Arbel (Phaidon), edited by Stephanie Rebick, an associate curator at the Vancouver Art Gallery, celebrates the depth and bread
As Paris emerges from lockdown and its streets come alive, the Fondation Cartier pour l’Art Contemporain, an art center Cherry Blossoms” (on view through January 2, 2022), an exhibition of expressively impastoed, large-scale oil paintings by British artistold the BBC. “My mum used to say, ‘There’s enough horror in the world. Why can’t you just paint flowers?’ So maybe she got to me.”
Los Angeles–based journalist Doree Shafrir sees beauty in the particular challenges faced by those who find their footin, pours her lighthearted yet critical perspective on her experience into Forever35, a self-care podcast she co-hosts with her longtime friend Kate Spencer, and into her new memoir, Thanks for Waiting: The Joy (& Weirdness) of Being a Late Bloomer (Ballantine Books), out this week. In the book, she interrogates the often overwhelming pressure that people—particular How do you start your mornings?
“Social Works,” a group exhibition that opened this week at New York’s Gagosian gallery on West 24th Street, explores space—and the m
“Clouds are not something to moan about,” Gavin Pretor-Pinney says in a 2013 TED talk. “Far from it. They are, in fact, the most diverse, evocative, poetic aspect of nature.” Pretor-Pinney, a British authoThe Idler, a magazine that extols the virtues of slowness, became fascinated with clouds after noticing them in the skies depicte
To showcase the world’s most inventive designers, the London Design Biennale invites participants who represent their coEp. 75 of our At a Distance podcast, recorded last September. “I thought, Well, who do I identify with?”
Several years ago, Claus Sendlinger began contemplating ways to address his concerns about overdevelopment in the boutiqSlow, a hospitality venture dedicated to creating places that draw upon their locations’ culture, environment, and history aagriturismo (farmhouse retreat) called La Granja. The working farm practices regenerative agriculture, and teaches visitors how it
Maxine Bédat’s New Book Traces the Lifespan of a Pair of Jeans to Illustrate the Ills of Fast Fashion
In this age of instant gratification, fast fashion innocently presents itself as a way to meet consumer demand. But behiUnraveled: The Life and Death of a Garment (Portfolio), out next week. In the book, Bédat, a former lawyer (and the guest on Ep. 11 of our At a Distance podcast), traces the lifespan of a pair of jeans to demonstrate the ills that accompany the processes that produce our clothes. What exactly is the driving force behind fast fashion?
The first Monday in May is synonymous with the Met Gala, a benefit for the Metropolitan Museum of Art’s Costume InstitutVogue. “Designers live for it.” This year, the affair hasn’t happened yet—it may happen this fall—but to mark the annual occathe eighth episode of Hello Fashion, created with The Slowdown.
To stay healthy, we know that our bodies need nourishment, hygiene, and exercise. According to those who study neuroaestEp. 34 of our At a Distance podcast) who runs the International Arts + Mind Lab (IAM Lab)—an initiative at John Hopkins University’s School of Medicine that connects brain scientists with artists to Arts + Health & Wellbeing, an immersive online tool kit that offers visitors an engaging dose of art, and consequent mental fitness, from anywherEp. 11 of our Time Sensitive podcast.)
“A question I get asked a lot is, ‘How do I get your job?’” says stylist Kate Young. “That answer is complex, because pe10th episode of Hello Fashion, created with The Slowdown.
Practically everything the artist, master potter, and writer Edmund de Waal touches turns to dust. Or at least toward the idea of dust. In each of his books—2010’s The Hare With Amber Eyes, 2015’s The White Road: Journey Into an Obsession, and the just-published Letters to Camondo (Farrar, Straus, and Giroux), out this week—dust serves as a profound metaphor. Throughout his work, whether in pottery or prose, de Waal explores various notions a
From a fashion perspective, the Golden Globes stands apart from other award shows for its timing: The event, during whicleft at that point,” says stylist Kate Young in the ninth episode of Hello Fashion (created with The Slowdown), noting that she usually starts working on Globes outfits around Halloween. For the episode
Julian Sancton knows a thing or two about bone-chilling temperatures. “For a while, I’ve been visiting a friend’s uncle’Departures magazine for nearly a decade. Despite the getaway’s frigid conditions, he continues, “It’s just so beautiful, and gave Belgica spent a sunless winter frozen in the Antarctic ice. Sancton traces the historic voyage, which wasn’t exactly smooth saiMadhouse at the End of the Earth: The Belgica’s Journey Into the Dark Antarctic Night (Penguin Random House), out this week. We recently spoke with Sancton about what he read during his research, and the ne Tell us about some of your favorite books on polar expeditions.
Arts education opportunities faded fast for kids in the learn-from-home fog of Covid-19. That’s where The Look Make Show, a new TV program by New York City’s Children’s Museum of the Arts, hopes to come in. The cartoon, of which the creatorKickstarter campaign through May 14, focuses on Rod and Coney, two rotund, charismatic artists who refuse to let the pandemic get in the way
Seasoned stylist Kate Young never arrives at any event unprepared. Whether it’s the red carpet, a shoot, or a press funcOn the seventh episode of Hello Fashion, created with The Slowdown, Young shares some of the essentials she places inside every travel bag, along with insider
Debates about whether encyclopedic museums—institutions that collect and contextualize cultural artifacts across time an—should act as more than mere repositories date back decades, but have taken on a new urgency as of late. Now, institutioEp. 12 of our At a Distance podcast), tackled these topics through interviews with nearly 30 leaders, and compiled the conversations in a new book, Under Discussion: The Encyclopedic Museum (Getty Publications). We recently spoke with Grau about the future of institutions and the layered, ever-evolving narra What central issues do encyclopedic museums face today, and what prompted you to explore them?
When attending runway shows, stylist Kate Young keeps her eyes peeled for premiere dresses—gowns to be worn by actressesOn the sixth episode of her YouTube show, Hello Fashion, created with The Slowdown, Young talks about her process for selecting and securing premiere dresses, and highlights f
New York–based stylist Kate Young devotes her YouTube show, Hello Fashion, created with The Slowdown, to explaining the ins and outs of celebrity styling. Her wide-ranging explorations about whOn the series’ fifth episode, Young answers various audience questions, submitted in the comments section of her YouTube channel and on her Instagram.
The Covid-19 pandemic, by its very nature, has led to a universal turning toward—or even retreating to—home. The very noTadao Ando: Living With Light (Rizzoli), out this week, that presents 11 extraordinary residential projects designed by the Japanese architect, who has created more than 100 ho
Frustrated by the high cost of wellness in America, Brooklyn-based journalist Annie Daly set out to find meaningful alteDestination Wellness: Global Secrets for Better Living Wherever You Are (Chronicle Prism), out May 11. What may sound like a travel writer’s cushy, decidedly pre-Covid boondoggle in fact offer
Italian jewelry designer Elsa Peretti, who passed away on March 18, is a constant inspiration to stylist Kate Young’s lifourth episode of her YouTube show, Hello Fashion, created with The Slowdown, surveying some of the brilliant things Peretti made in her lifetime. Young begins by discu
The British-born, Brooklyn-based philosopher Simon Critchley has no shortage of interests. He’s written, in his refreshiThe New York Times, where he moderates its contemporary thinkers opinion forum, The Stone. For his forthcoming book, Bald (Yale University Press), out April 27, Critchley—who teaches philosophy at The New School for Social Research, and was tEp. 42 of our Time Sensitive podcast and Ep. 3 of our At a Distance podcast—compiled 35 of his favorite Times essays, forming an engaging series of short reads that suggest new ways of understanding the world. We recently spoke w
Isolating at home during the pandemic, New York–based stylist Kate Young longed for the hallmarks of awards season: fancthird episode of her new YouTube show, Hello Fashion, created with The Slowdown, she details three of her favorite awards looks: a saffron-colored Vera Wang dress, which MiBrokeback Mountain; a red Prada dress, which Selena Gomez wore to the American Music Awards on Nov. 20, 2016, when she won the Favorite FeI, Tonya.
When Goodnight Moon was first published, in 1947, the chief children’s librarian at the New York Public Library didn’t like that its story—Goodnight Moon’s honest presentation of sleep and solicitude still resonated with readers, who’ve since purchased more than 48 million
According to celebrity stylist Kate Young, anyone can figure out the look that works best for them by creating a mood bosecond episode of her new YouTube show, Hello Fashion, created with The Slowdown. While her mood boards take various forms, including Pinterest boards and entire books of ph
Kate Young, the stylist for red carpet luminaries such as Sienna Miller, Margot Robbie, and Michelle Williams, grew up iVogue, and later, after several years in the Vogue fashion department, as fashion editor-at-large of Interview magazine. On her new YouTube show, Hello Fashion, created with The Slowdown, Young provides an inside peek, through her own distinct, high-low perspective, into the world. In the weekly series, which premiered on Tuesday, Young highlights the quality, craftsmanship, and enduring value of cthe debut episode, Young talks about how she and actor-singer Selena Gomez, a client of hers since 2014, created their latest project togRevelación. In addition to detailing the various looks—including a Valentino haute couture dress—Young FaceTimes with fashion iconHello Fashion as a whole. How did Hello Fashion come about? Why YouTube?
How Spanish Culture and Color Informed the Styling and Art Direction of Selena Gomez’s New “Revelación” Album
New York–based stylist Kate Young, one of Hollywood’s most highly sought-after, is known for putting the women she dressVogue. This week, Young debuted her new YouTube show, Hello Fashion, created with The Slowdown, where she dives deep into the ins and outs of her trade, and the superior craftsmanship of first episode of the weekly series focuses on how she created a series of photographic art for musician Selena Gomez’s new album, “Re
Earlier this month, Francesca Johanson, editor of the Architectural League’s online publication Urban Omnibus, launched Memory Loss,” a new series with Guernica magazine. These essays seek out sites of remembrance in New York City, addressing a “continuum between private and publ
In the era of Covid-19, you might think that Julia Cooke’s book Come Fly the World: The Jet-Age Story of the Women of Pan Am (Houghton Mifflin Harcourt), out this week, was inspired by a longing for air travel, but you’d be wrong. “What I reall
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Three years ago, on New Year’s Eve in Havana, artist José Parlá introduced Craig Dykers, a founding partner of the archiSnøhetta, to Jon Gray, one-third of the Bronx-based chef troupe Ghetto Gastro. The two began what would become an ongoing converBurnside, an intimate, flexible café and culinary event space for the Tokyo creative agency En One. (Health restrictions have pr
Blackness as a color and, in some ways, as a culture often finds itself in close proximity to death. Despite the vivid b
In 2019, Madrid-based designer Jorge Penadés founded Extraperlo, a nonprofit exhibition platform for unorthodox work andCurating Curators,” on view Feb. 18–20 at Penadés’s warehouse-like studio as part of this month’s Madrid Design Festival, upends the conv
Hanna Nova Beatrice is the founder and editor-in-chief of The New Era, a recently launched independent Scandinavian design publication. “It grew out of a strong belief in the [power of] priResidence magazine, prefers to consume media the old-fashioned way, with an eye toward periodicals that innovate on physical page How do you start your mornings?
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For most of us, the urge to bring smartphones into our bedrooms is too strong to resist—even when science, and firsthandattest to the habit’s harmful effects. One way to curb the temptation: Loftie, an alarm clock designed to transform sleep spaces into phone-free sanctuaries. Calibrated for the digital age, the dev
Those visiting Japan’s beloved gardens during the winter might be struck by the sight of trees confined within mysteriouyukitsuri—the term for these intriguing rope webs—is a traditional Japanese gardening technique intended to protect trees’ long b
Design can be a powerful tool in times of crisis, when creativity is a crucial element for survival. At the start of theDesigners Against Coronavirus, and in the fall, took the project a step further by documenting 272 of the works in a book of the same name. Nearly all the resources to publish it, from the paper to securing the copyright for each image, were donated, and the
Formgivning, the Danish word for “design,” serves as both a thesis and a call to action in a new book, Formgiving: An Architectural Future History (Taschen), by the Copenhagen-born architectural practice Bjarke Ingels Group (BIG). This is no project-by-project compe
By poking around the murky world of hoaxes, ghosts, spirit paintings, and holograms, A. Joan Saab—the vice provost of acObjects of Vision: Making Sense of What We See (Penn State University Press). We recently spoke with Saab about why things aren’t always as they appear, and the reason
If beauty is in the eye of the beholder, better to be held in the warm focus of Steve McQueen’s gaze than one more narroSmall Axe, his enthralling new five-film anthology now streaming in the U.S. on Amazon Prime Video (and available in the U.K. on
This year has driven many of us to create a de facto home spa—steeping in long, leisurely baths for solace. One such batEkin Balcıoğlu, a Taos, New Mexico–based artist and the founder and editor-in-chief of Hamam, a new quarterly print publication about the culture of bathing that will release its second issue later this month. Hamam, while bursting with originality, has parallels to Wet magazine, the subversive, now-defunct cult classic founded in 1976 by Leonard Koren (who was the guest on Ep. 78 of our At a Distance podcast) that explored pleasure and play through a loosely water-themed lens.
In 2018, when writer Amitav Ghosh appeared at the Brooklyn Public Library to discuss his book The Great Derangement: Climate Change and the Unthinkable, Joel Whitney, who manages arts and culture programs at the institution, took note. “I was surprised by Amitav’s main iClimate Reads book club, a yearlong digital initiative launched by Whitney’s department and the advocacy group Writers Rebel NYC earlier this fall, suggests otherwise, with climate-focused fiction titles including Bangkok Wakes to Rain by Pitchaya Sudbanthad, The Veins of the Ocean by Patricia Engel, and Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk on its roster. The club plans to tackle a handful of nonfiction books, too, such as The One-Straw Revolution: An Introduction to Natural Farming by the late Japanese farmer-philosopher Masanobu Fukuoka, and Why We Swim—the focus of next month’s meeting—by swimmer and surfer Bonnie Tsui.
Sometimes—especially in moments of political strife, pandemics, hurricanes, or all of the above—a television plotline caWatch a train wend its way around the fjords and farms of the Norwegian countryside over the course of seven hours, or see a sweater get made, in the time of a typical work day, from A to Z (beginning with shearing a sheep’s wool), set to the tune of cheery foldogs frolicking on a beach, a meandering stroll among flowering cherry blossoms in Japan, and a sailing trip to Tobago, accompanied by the soothing sounds of waves lapping against a boat’s exterior. The format can arguably be traced to n1963 film “Sleep” consisted entirely of his lover, the poet and performance artist John Giorno, napping. Regardless of its subject matter
For those of us who are lucky enough to have a full plate right now, consider helping those who don’t. One avenue for alCoalition for the Homeless, forced to cancel its annual fall fundraising gala due to the pandemic, is launching the Artist Plate Project, a limited-edition collection of porcelain platters depicting works by 50 legendary artists, including Tauba Auerbach, Ep. 25 of our Time Sensitive podcast). The series will be available on the organization’s website beginning Nov. 16. Profits from the heirloom-worthy tableProspect, will go toward serving the 59,000 New Yorkers who currently live in shelters or who struggle to survive on streets andA recent study by Columbia University predicts that homelessness will increase by 40 to 45 percent within the next year due to Covid-19—making the coalition’
Durham, North Carolina–based journalist and filmmaker Saleem Reshamwala has been particularly productive of late: In addBecoming America anthology, he’s host of the TED podcast Pindrop and a mentor to emerging Asian and Asian-American filmmakers through a new fellowship program called The Sauce.
This year has been a blur, but many hard truths remain crystal clear. By now, the Trump administration’s glaring and conthe U.S. hit the 9 million mark in virus cases. While President Trump has continued to shirk responsibility, scapegoat other countries, and callously state that it “is what it is”—even as the White House itself has become a hot zone, seeing two waves of infections in the span of a single month—we kTotally Under Control, director Alex Gibney, along with co-directors Suzanne Hillinger and Ophelia Harutyunyan, bring sharp-eyed clarity to t
At age 3, Spencer Bailey, writer and editor (and co-founder of The Slowdown), survived the crash-landing of United Airlines Flight 232 in Sioux City, Iowa, on July 19, 1989. In the wake of the tragedy, he found himself the subject of a memorial sculptureIn Memory Of: Designing Contemporary Memorials (Phaidon), examining the power and potential of memorials designed over the past 40 years, from Maya Lin’s Vietnam VeteHere, he describes the process of working on the book, and tells us why the power of abstraction may help us all to heal You began working on this project nearly thirty years after the Flight 232 crash. What has it been like to process and
Japanese artist Makoto Azuma is known for creating poetic botanical sculptures, but the medium in which he works most inFlower Punk, an award-winning film about his work and life, now available for viewing as part of the The New Yorker Documentary series. In just under 30 minutes, director Alison Klayman captures the artist as he creates spectacular arrangements, a“Exobiotanica.” Rigging a camera and a flower bomb to a weather balloon, documenting his terrestrial creation as it soars through the s
Museums and galleries are reopening in New York, and one of the most compelling shows of the season is primed to take plen plein air. Organized by the nonprofit Art at a Time Like This, in collaboration with Save Art Space, “Ministry of Truth: 1984–2020” will reclaim a common component of the city’s visual real estate—the billboard—to display works by an international ran
In 1617, German artist Jobst Harrich completed an oil painting on a copper canvas. The work, which depicts a flaxen-hairposted Harrich’s painting to her feed and tweeted, “maybe if I take my tit out they will stop explaining my own joke back to me.” She applied this tactic to“Conversation in a Park,” depicting a gent gesturing toward a stoic lady (“you would be so much prettier if you smiled”), and a 1959 Norman Rockwell cover for the Saturday Evening Post, which portrays eleven men ganging up on a lone woman in a jury room (“thanks I’m gay now”). The thread went viral. A fMen to Avoid in Art and Life (Chronicle Books), sold out within days of its release. It features more than 90 artworks accompanied by wince-worthy c
An art critic, curator, and author, Antwaun Sargent has become a leading voice for a rising class of Black contemporary The New Black Vanguard: Photography Between Art and Fashion (Aperture), Sargent is serving up his next, as the editor of Young, Gifted and Black: A New Generation of Artists (D.A.P.), highlighting the works of Black artists from the Lumpkin-Boccuzzi Family Collection of Contemporary Art. An exhibition of the same name is currently on view at the Lehmann College Art Gallery (which is temporarily closed due to Covid-19)
New York–based artists and brothers Steven and William Ladd have been creating together for 20 years, using their comple“The Other Side,” on view through Oct. 17 at the Invisible Dog Art Center in Brooklyn’s Boerum Hill neighborhood, the Ladds have welcomed. Offering visceral and emotional depth to a population of society so often silenced and anonymized behind closed doors, t
Election season is upon us here in the U.S., and with all of the anxieties circulating around—pandemic-related risks, poThis is What Democracy Looked Like: A Visual History of the Printed Ballot (Princeton Architectural Press), a new book by Alicia Yin Cheng, a founding partner of the Brooklyn-based graphic design
Brooklyn-based writer and artist Edith Zimmerman served as the founding editor of The Hairpin—the former general-interest women’s website that defined a generation of online journalism, with pieces like the perenn“Women Laughing Alone With Salad”—and has gone on to contribute to outlets including The New York Times Magazine, The Cut, and the podcast This American Life. These days, you can find her work in Drawing Links, a frequently published newsletter of comics and musings. We recently polled Zimmerman about her current media diet. He
You are what you Google and “like.” This is an eerie truism of 21st-century life, where our experience of reality is larThe Social Dilemma, a new docu-drama premiering on Sept. 9 on Netflix, delves into the dangerous human impact that social networking has oCenter for Humane Technology (and our guest on Ep. 35 of At a Distance), says in the trailer: “If technology creates mass chaos, loneliness, polarization, more election hacking, [and] more i
Our summer quarantine days have far too often been spent gazing at web browser windows—far and away from vacation views,Window Swap, a mash-up of the virtual and physical. Designed as a “quarantine project” by creatives Sonali Ranjit and Vaishnav Bala
For the past five years, as one of the co-founders of the annual “JONALDDUDD” exhibition, designer Lydia Cambron has put on one of the most consistently surprising and challenging presentations of
School’s out forever—or at least for the immediate future, depending on what city you live in—and it’s certainly taking hands-on lesson plans, open-sourced and free to download, that are inspired by artists and objects from its permanent collection. “Fashioning
There’s a formula for homicide news stories: Place a TV anchor at the scene of a crime, and state that a victim was shotfatally shot in the U.S., including suicides and accidents. The sheer volume of incidents makes them easy to tune out: We don’t know
Five months on, living in a pandemic has become a new liminal normal, shifting our gaze toward the familiar sights, soun“Pandemic Objects,” an ongoing editorial project that highlights and reflects upon everyday objects (defined in the broadest sense) that hathe gaze of the drone, which has seen a surge in use worldwide in recent months, with people dispatching them in their hometowns—even to takejump rope that gives her pause as she riffles through the museum’s archives, uncovering photos, artworks, and accounts about the
The Internet Archive is one rabbit hole we’ve willingly jumped into more than a handful of times since the quarantine beWhole Earth Catalog, the 1960s counterculture print publication often referred to as “the web before the web existed”—its iconic, jam-packeElectric Whole Earth Catalog, now available on the site. Originally launched in 1998 on CD-ROM (how quaint!), the lo-fi “electric” edition offers a
Home is where the heart is—but, on the silver screen, it can be a bit forlorn. In his recently published broadside publiSad People in Modernist Homes in Popular Films, Los Angeles–based designer and art director Benjamin Critton explores the much-maligned trope of the Modernist home in popular culture, with contributing essays from writers Erik BSad People—the long-awaited follow-up to his 2010 edition, Evil People in Modernist Homes in Popular Films—and what filmic mood may strike him next for volume three of the ongoing project.