In co-founding Slow Factory in 2012—a Brooklyn-based nonprofit dedicated to advocating for slow fashion and advancing climate justice and social equity—Lebanese-Canadian designer, writer, and researcher Céline Semaan—the latest guest on our Time Sensitive podcast—created a platform to further one of her life missions: to replace socially and environmentally harmful and outdated systems with replicable, zero-waste solutions.
Her latest project, the design program “Garment-to-Garment,” aims to educate designers on how to eschew composing garments from fresh rolls of raw fabric and instead create clothing from discarded apparel, returned goods, and textile waste. The program, which Semaan and her team have been prototyping for more than five years, is an ambitious upcycling project aiming to eradicate the climate education gap and combat ever-growing levels of textile waste worldwide. “Our goal is to create a program that intercepts mass-waste in the Global North before it reaches the Global South, which creates a climate hazard for these communities,” says Semaan, referring to the increase of microplastics and toxic chemicals textile waste deposits into environments. “But the key to our project is scale: We’re going to show the world how to successfully replicate a pollution-reduction program for greater worldwide impact.”
Slow Factory’s program, which is rooted in the concept of open knowledge-sharing, comes at a time when many of the world’s big industries are in dire need of climate solutions. In the fashion industry alone, it’s estimated that an average of 92 million tons of textile waste is created annually. This total is only projected to increase, by an estimated 60 percent between 2015 and 2030, to reach an annual total of 148 million tons.
Set to pilot this fall, the “Garment-to-Garment” program will officially launch next spring with the opening of the Slow Factory Institute at the “Made in NY” campus at Bush Terminal in Sunset Park, Brooklyn, a district home to the second-largest concentration of garment manufacturers and employees in New York City. The nonprofit’s first brick-and-mortar space, Slow Factory Institute will host educational programming and workforce training, a product studio, and a research and development lab all under one roof. The campus will also include a physical home to Slow Factory’s “Open Edu” program, a free and accessible education series on climate justice, climate solutions, and climate-positive design, of which the “Garment-to-Garment” program is a part.
Slow Factory Labs, a physical manufacturing facility for regenerative material innovation, will also be onsite. In the space, Semaan and her team will continue to work on proprietary projects to better the planet and create opportunities in historically marginalized communities, including the development of Slowhide, a first-of-its-kind leather alternative naturally dyed with bacteria procured from discarded coffee and tea waste.
“Climate justice used to sound drab and soulless,” says Semaan. “It’s traditionally been led by a colonial system where it’s deprived of joy and creativity—with no musicians or artists involved. Our space will be innovative, inspiring, and alive. We are reclaiming climate justice.”
Designed in 1972, at a time when a luxury watch made of steel was still a radical concept, Audemars Piguet’s nautical-inGQ editor Bill Prince, author of the new book Royal Oak: From Iconoclast to Icon (Assouline), coming out October 12. “It’s one of those works of culture that has managed to cut through time, in the sebigger than the era.”
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Writer Hannah Lewis says she practically fell in love with Japanese botanist Akira Miyawaki when she first read the 2007The Healing Power of Forests, which he co-authored with ecologist Elgene O. Box. The book introduced the Miyawaki method, a reforestation technique Compendium of Scientific and Practical Findings Supporting Eco-Restoration to Address Global Warming, a bi-annual, open-access compilation of scientific studies, industry and government reports, and journalistic investigwrite an article about the approach for The Guardian in 2020, and a just-released book of her own: Mini-Forest Revolution: Using the Miyawaki Method to Rapidly Rewild the World (Chelsea Green Publishing).
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Last week, the Earth slid between the moon and sun, inciting a heady lunar eclipse that transformed our usual relationshManitoga, a stunning midcentury home turned design center that’s nestled between a granite quarry and a mossy slope in upstate NDesigning Nature” (through November 14). Fittingly, the first piece visitors encounter is the Eclipse Ceiling Lamp, designed by the contFormafantasma in 2016, which casts new, entrancing light on its surroundings.
Nestled in a cozy pocket of Newburgh, in New York’s Hudson Valley, is an architectural gem designed in 1949 by Philip Jograppling with how to address Johnson’s legacy in the aftermath of his fascist views becoming more widely known—the property was purchased and restored by Jiminie Ha,With Projects, and art director Jeremy Parker. Determined to establish the residence as a symbol of inclusivity, the two have reimagiWolfhouse, a community-focused cultural space and incubator with public programming centered around art, architecture, and design
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Squares, with their even proportions and sharp corners, evoke a sense of honest, hard-edged rationality. The shape has dKvadrat, the 54-year-old Danish textile company known for its forward-looking, often vibrant fabrics and artistic collaboration
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For several years, artist Dan Colen wasn’t exactly sure how to talk about Sky High Farm (SHF), a nonprofit 40-acre regenerative ecosystem he created in New York’s Hudson Valley that, since its beginnings in Ep. 40 of our Time Sensitive podcast. “And the lightest touch seemed to be through products.” In 2019, he partnered with the international concept shop Dove
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Clothing designed to endure such harsh conditions as sub-zero temperatures, damp romps in rainforests, or icy traipses tEp. 69 of our At a Distance podcast.
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2014 may have been the year of the booty, but it took me six cold and less-than-sterile more (plus 2020’s lockdown) to get mine into the warm seat of a Toto Washlet C200, my top pick in this rotund—or rather, well-rounded—assortment of bidet toilet-seat attachments—and love-letter the for
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Despite being among the most abundant tree species in Finland, pine has been largely overlooked and underutilized as a fVaarnii seeks to revive the use of pine in furniture making, and with it, forge a new era in Finnish design that celebrates the
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Before fast fashion became the norm, children typically learned how to make their own clothes, often from their parents Almaborealis, a line of D.I.Y. sewing kits that teach kids the value of creating garments that last.
A Digital Museum Tells Time-Honored Stories of the Indian Subcontinent Through Everyday Objects and Family Heirlooms
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Those who have come to embrace CBD—short for cannabidiol, a chemical abundant in the cannabis plant that, unlike its sibEpidiolex, to treat rare seizure disorders; the majority of scientific studies on the chemical have been conducted on animals.) T$16 billion by 2025, fueled by users who report relief from afflictions including anxiety, depression, and stress. So it seems only natural
For Lorne M. Buchman, president of Art Center College of Design in Pasadena, California, the creative process rarely conYves Béhar, Paula Scher, and Frank Gehry, as well as companies such as Apple and Tesla, attest to such experiences in Buchman’s neMake to Know: From Spaces of Uncertainty to Creative Discovery (Thames & Hudson), as archetypes that demonstrate the value of embracing the unknown as a way to unleash new ideas.
A Fashion Designer Transforms Deadstock Textiles and Upcycled Sleeping Bags Into Wearable Life-Saving Shelters
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According to a 2016 report by the World Economic Forum, a full garbage truck’s worth of plastic flows into our oceans almost every minute. While e
The ingenuity of the Parentesi lamp, first released by the Italian lighting brand Flos in 1971, is most evident when it’s handled: Slide the nickel-plated
Elyn Zimmerman Created a Memorial to the 1993 World Trade Center Bombing—Then It Was Destroyed on 9/11
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The archeologist-turned-goldsmith Loren Teetelli spent more than 100 hours hand-forging a single 22-karat gold cuff for Loren Nicole, in 2016. Jean Prounis is another millennial who’s mastered the time-honored craft of goldsmithing. The New York–based designer begins her pro
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Since ancient times, people have looked to the sun, moon, and stars to create a sense of rhythm and order in their livesLittle Lange 1 Moon Phase watch elevates the poetic movement with a copper-flecked, midnight-blue silver dial that shimmers like the night sky, a
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Vietnamese-American Stylist Beverly Nguyen Pays Tribute to Her Family and Friends With a New Pop-Up Shop
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Artist Eric Oglander gravitates toward materials that collapse time and space, and holds an unwavering faith in the powetihngs.com, and plans to open a brick-and-mortar shop of the same name in the Ridgewood neighborhood of Queens later this year). IP.E.,” is on view through May 15.
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For many diners, using “biodegradable” or “compostable” takeout containers is one way of doing their part in protecting don’t break down in a backyard composting bin and require special conditions to degrade. The Canadian company Case has a better solution: a circular system for food receptacles.
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East Fork imbues traditional clay tableware with a sense of delight, resulting in pieces that are instantly recognizable. The commonth)—while its expansion into the lifestyle realm, with online recipes and carefully culled pantry items, such as black gar Your products often immediately sell out. A few months ago, an article in the New York Post called your passionate fans the “new potheads.” What makes East Fork’s pieces so covetable?
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Wood boxes are something of a national treasure in Japan, where Buddhist monks began tucking stoles, prayer beads, and okiribako—boxes handcrafted from paulownia, a native tree with lightweight, durable, water-resistant timber—into the mainstream. Masuda Kiribako, which has been skillfully producing traditional receptacles since 1929.
Three years ago, French furniture and object designer Noé Duchaufour-Lawrance—whose clients include Baccarat, Bernhardt Made in Situ that champions the traditional crafts, techniques, and materials of the region through objects he designs and makes witsoenga. How did the idea for Made in Situ come about?
Imagine shopping a trove of objects that are at once elegant and ethically made—no post-purchase consumer guilt necessarGoodee, an online marketplace of homewares and clothing that make a positive impact on people and the planet. Founded by Montrundulating Pakurigo baskets handwoven by artisans in Ghana from locally sourced vetiver grass, vegan seaweed soap that cleverly uses coriander seeds and peppercorns as exfoliants, and the sought-after Goodee Hoodie, recently released in three new colors (dusty rose, Egyptian blue, and alabaster) and made from Egyptian cotton by the Kotn. There’s also a handsome German Douglas pine daybed from Danish B Corp Skagerak, topped with Kvadrat upholstery, and a Japanese windmill palm fiber “corner brush” designed to dust the undustable. Feel like decking the halls? Try these multihued Jipi Baubles tree ornaments, handmade from Jipijapa palm tree leaves by Colombian artisans in the Andes. For those on our gift lists, including the
That we’ve all likely considered relocating to another planet at some point this year may be no bad thing, according to In a recent study published in the journal PLOS One, the group describes their experiments with the organic polymer chitin that demonstrate its viability as a building matEp. 16 of our Time Sensitive podcast)—with a mineral equivalent to Martian soil. They used it to successfully construct an array of objects, including a worProject Olympus, a research initiative looking to develop structures that can be 3D-printed out of lunar dust. Working with the Austin-he recently told Fast Company. “It’s actually going to make construction on Earth even faster, even cheaper.”
Fashion brand Kilomet109, headquartered in Vietnam’s capital of Hanoi, is reviving the country’s textile traditions with each piece in its men’s
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“Many people think play is just for children,” says London-based designer Michelle Rinow. “But it’s necessary through alTransforming Touch, a series of knitted lights that encourage users of every age to engage in a bout of old-fashioned fun. Rinow cleverly