May’s colors, textures, and sense of renewal seem to be essential ingredients in Paris-based artist Alexandre Benjamin Navet’s exuberant work. A self-described “spring and summer boy,” his expressive drawings—often made in watercolor or oil pas

Nestled in a cozy pocket of Newburgh, in New York’s Hudson Valley, is an architectural gem designed in 1949 by Philip Jograppling with how to address Johnson’s legacy in the aftermath of his fascist views becoming more widely known—the property was purchased and restored by Jiminie Ha,With Projects, and art director Jeremy Parker. Determined to establish the residence as a symbol of inclusivity, the two have reimagiWolfhouse, a community-focused cultural space and incubator with public programming centered around art, architecture, and design

Squares, with their even proportions and sharp corners, evoke a sense of honest, hard-edged rationality. The shape has dKvadrat, the 54-year-old Danish textile company known for its forward-looking, often vibrant fabrics and artistic collaboration

The Spanish designer Alvaro Catalán de Ocón’s repurposed plastic furnishings weren’t just born from a sense of duty. Whirecently deemed an epidemic—he also appreciates the material for what it is: a lightweight, flexible, yet strong substance that can be sculpted intACdO. “The problem is that the price and the value of the material does not match at the moment.”

How do the generation of Black Americans who grew up in the past 25 years reckon with the tragedies that play out in theThe Trayvon Generation (Grand Central Publishing), poet, educator, and scholar Elizabeth Alexander—who currently serves as the president of the Andrew W. Mellon Foundation, the largest humanities philanthropy in the UnEp. 52 of our Time Sensitive podcast)—explores these questions, and others, by meditating on race, class, trauma, justice, and memory, and their influences

Walking through a museum, you’ll likely consume most artworks using your eyes. Enjoying the output of olfactory artist Maki Ueda, who uses scent as her primary medium, however, requires your nose⁠—and sometimes takes place in spaces with no visual