
The Vibrant, Kaleidoscopic Color Theory of Christopher John Rogers
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If there’s anything that Christopher John Rogers cares even more deeply about than clothes, it has to be color. Since establishing his namesake fashion label in 2016, the Baton Rouge–born, Brooklyn-based fashion designer has quickly gained as much notoriety for his bold, kaleidoscopic color palette and poppy patterns as he has for his billowing, exquisitely silhouetted dresses. Eschewing—or at least pushing—any boundaries between “high” and “low,” “hard” and “soft,” or “masculine” and “feminine,” Rogers brings a fluid, unpretentious perspective to fashion, one that has swiftly landed him on an episode of Gossip Girl, red carpets (Lady Gaga, Beyoncé, and Rihanna have all donned his dresses), and into the illustrious halls of the Metropolitan Museum of Art in New York (two of his dresses were featured in the Costume Institute’s 2022 exhibition, “In America: A Lexicon of Fashion”). “The idea of a ball gown in a bodega feels not real,” he tells me in this Big Interview. “But how do you make that real or more possible than it currently is? I’m always thinking about that.”