What does healing look like, and in what ways does the American carceral system obstruct it? How can we care for each other through seasons of pain? These are just a few of the questions that musician, filmmaker, and composer Samora Pinderhughes has been unpacking over the past decade. Pinderhughes, who studied at Juilliard and is currently a doctoral candidate in Harvard’s School of Music, regularly focuses on social change through his work, which includes The Transformations Suite, a 2016 project that combined music, theater, and poetry to examine the history of resistance within communities of the African Diaspora, and Black Spring, a 2020 collection of songs that took inspiration from ’60s protest music to address the current cultural and political climate.
Pinderhughes’s latest album, Grief, out today, is perhaps his most ambitious venture yet. The record is part of his three-part multimedia effort, “The Healing Project,” which chronicles people’s experiences of incarceration and structural violence, and possibilities for social recovery. It consists of the album, a digital archive, and a physical exhibition of videos, sound works, and art. The latter is currently on view at San Francisco’s Yerba Buena Center for the Arts through September 4.
The project began in 2014, when Pinderhughes began traveling across the country to interview more than 100 incarcerated and formerly incarcerated people across 15 states. Their stories form the heart of “The Healing Project”: In addition to inspiring his latest album, the interviews were recorded by Pinderhughes, who scored them to music to form the work’s digital archive. (In the exhibition, these tracks create the aural backdrop of a VR installation that viewers can explore.)
Across Grief’s 15 tracks, Pinderhughes inventively uses music to capture the experiences of those he spoke within the complexity that the medium affords. Songs take on subjects including internalized forms of oppression, racial capitalism, and hollow allyship, and follow in the lineage of works from the ’60s and ’70s by artists including Nina Simone and Curtis Mayfield, who used music to reflect on life and the injustices they saw playing out at the time. The album’s sound is a mix of Pinderhughes, singing alone at his piano, and the cerebral, richly textured force of an 11-person ensemble he put together. Back-up singers complement Pinderhughes’s vocals, bringing out refrains that toe the line between rousing and haunting. Expert tenor and alto saxophonists shine, as does Pinderhughes’s sister, Elena, who contributes her mastery of the flute. Pinderhughes’s choice to double up the bass, with the electric and the upright versions of the instrument playing simultaneously, adds depth to the rhythm section throughout. Most affecting is “Grief,” the title track, which features a hypnotic wurlitzer pattern oscillating over a steady build of drums, bass, voices, and Radiohead-esque synth textures. It comes to a climax as Pinderhughes delivers a final refrain—“Don’t let them take me, tonight”—before being enveloped in a sonic landscape.
Pinderhughes says that the album is not meant to collapse people into their suffering, but to offer a tool for seeing and processing it in all its complexities and contradictions. Sometimes, he continues, people come up to him after he performs certain tracks. “They tell me, ‘Nobody has said it like that,’” he says, “‘and that’s exactly how I feel.’”
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Spend a few hours with the Sounds of the Forest open-source library of woodland-area recordings, and you’ll be sure to see the forest for the trees. From the Alps to tEp. 114 of our At a Distance podcast), and one of our most spiritually beloved. Be they tropical or temperate, these dense ecosystems function as the world’
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The fallout from the climate crisis gives us plenty to fear: habitat destruction, extreme weather, and—in case you slept through the last year—global pandemics. But clinical psychologist Margaret Klein Salamon, foundeEp. 51 of our At a Distance podcast), believes that fear and other intense emotions are some of our best tools for pursuing meaningful climate action. “PasClimate Emotions Conversations, a digital forum for people to express their emotions out loud.
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Last week, the emerging Los Angeles folk duo Junaco released its latest single, “Weight of the World,” which they wrote after listening to Ep. 20 of our Time Sensitive podcast featuring fashion designer Jesse Kamm. (Pakistani singer Shahana Jaffer, who started the band three years ago with drumBlue Room, in June.
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More than two decades in the making, the National Museum of African American Music opened last month in Nashville, Tennessee, on Martin Luther King Jr. Day. Through its seven galleries and the some 1,50
Dominated by companies such as Sony, Sennheiser, and Bose, which leverage technology to make ever-smaller components, thestimated $28.5 billion by the end of this year. On the flip side, there are proudly D.I.Y. audio designers like Devon Turnbull, who with his brand Ojas creates high-end sound systems from his basement and a studio near the Brooklyn Navy Yard. By hand-building speakers th
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When Teenage Engineering released its OP-1 portable synthesizer, in 2011, the device received glowing reviews from an arOB-4, a Bluetooth speaker system that it’s billing as a “magic radio.” The term isn’t too far off: The mobile, four-speaker
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The middle of a pandemic may seem like an odd time to launch a podcast about road trips—but maybe it’s ideal, as unexpecGreetings from Somewhere, a show about how travel affects us; how we affect the places we visit; and, to date, how the pandemic changed everythi
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Elliott H. Powell Traces the History of Black Musicians Engaging with South Asian Culture and Sounds
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Don’t be fooled by the no-frills appearance of this device—it’s actually something of a shape-shifter. Created by the ItCity Radio (available in the U.S. through Uncommon Goods) lets users pick from 18 international radio libraries with a few flicks of the finger: Simply download the gadget’s ap
Keith Abrahamsson is the founder of the independent record label Mexican Summer, which operates out of New York and London and counts the likes of Cate Le Bon, Ariel Pink, and Photay among the artistEp. 3 of our Time Sensitive podcast.) Launched in 2008, his venture has grown to include a reissue label, Anthology, and a book publishing arm, Anthology Editions. In an effort to soothe anxious, isolated souls, Abrahamsson put together a playlist of transporting tunes for us. “It’s culled from material both in and outside my orbit—songs I work with directly or have connected to as a co “Love Is A Jungle,” Peter Ivers “For Lise,” Matchess “Rectifiya,” keiyaA “Stay Sane,” Pink Siifu “Charlotte's Thong,” Connan Mockasin “Infinitamente Nu,” Sessa “Min
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Music fans missing a regular calendar of gigs will find a lifeline in Iris Flow, headphones made to mimic the sound qualIris, which is backed by Queen drummer Roger Taylor, the device features a patented algorithm that restores complex spatial
In 2015, German-born British composer Max Richter wrote an epic eight-and-a-half-hour-long musical cycle titled “Sleep,” with the intention of it being the soundtrack to one night’s snooze. It consists of 31 tracks that each last about halfRichter said ahead of the piece’s U.S. premiere. “It’s a political work in that sense. It’s a call to arms to stop what we’re doing.” Recently, with the help of the Bean app of the same name. Divided into three sessions—Sleep, Meditate, and Focus—users can set timers for the music to play according to a chose
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An activist, M.C., artist, and the first-ever hip-hop ambassador to the U.S. State Department, Toni Blackman—who runs hip-hop meditation workshops—describes her passion-driven role as being “more of a mindfulness educator, and lea playlist of her favorite tracks that help center her. “I was totally unaware of how much music was inside of my head and heart. Some of these songs I play on repeat every oEp. 55 of At a Distance earlier this year. “In between tears and mourning and political frustrations, I am enjoying my journey!”
The sheer volume of awful things that have happened in recent months makes a person wonder if we’ll ever get it right. FRadical Imagination podcast, now is the perfect moment to discuss deep-seated issues such as reparations, extreme poverty, and police miscoEp. 67 of our At a Distance podcast. So far, she’s interviewed Stockton, California, mayor Michael Tubbs about his guaranteed income initiative, as well as
The pandemic and ongoing global shifts have caused us all to slow down—and not just here at The Slowdown. Our friends atTokyo Slow Mixtapes: guest-curated collections of songs on Spotify to soothe you through these high-stress, anxiety-inducing times. ContribEp. 19 and Ep. 36, respectively, of our At a Distance podcast), along with Le Sirenuse hotel co-owners Antonio and Carla Sersale, with neOur own co-founder Spencer Bailey’s mixtape, for which he turned to the 17th-century Katsura Imperial Villa in Kyoto for inspiration, includes tracks by the likes
The anticipation of hearing and chasing down an ice cream truck is a nostalgic American pastime, bringing joy to kids onColumbia Records even released a recorded version of the song, written by actor Harry C. Browne, titled, “N*gger Love A Watermelon Ha! Ha! Ha!,” a disturbing slice of American histoTikTok-er Vanessa Blackwell resurfaced earlier this summer in a viral post. Offering a sorely needed replacement, Wu-Tang Clan’s RZA recently partnered with the ice cream maker Good Humor to crRZA said in a video announcing the project. “I assure you that this one is made with love.” Good Humor released the track for free, urging all ice-cream truck dri
Museums have begun to reopen in New York City—with appropriate precaution—and after months of prolonged closures and dig“Rashid Johnson: Stage,” an installation opening next week at MoMA PS1 in Long Island City, Queens, and offering a participatory platform for diEp. 25 of our Time Sensitive podcast. At once referencing hip-hop culture, public oratory, protest, and public intellectual and cultural life, “Stage” will
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Working from home, at least for those who are fortunate enough to do so, isn’t all bad. Trading workwear for loungewear,The Kids, a creative agency based in Zurich, are not all right with this. The firm’s interactive online project I Miss the Office serves as a cheeky reminder of pre-Covid-19 life that simulates the mundane soundscape of an everyday workplace—the sma
At first listen, the Get Sleepy podcast’s format is surprisingly basic: Cue the lulling intonations of a British narrator, who slowly reads an intentioSlumber, launched in 2018). Get Sleepy’s ASMR-meets-bedtime stories appeal is apt for these high-anxiety existential times that
Zoom fatigue—which is to say, screen fatigue—is all too real in these extremely online and indoor times, making old-school telephone calls a welcome, intimate reprieve. While we eagerly await museum reopenings, we’re gettin
The Swiss Army knife of gadgets, smartphones make for very good alarm clocks. They’re comforting to sleep with, keeping harder to sleep, impairs vision, suppresses melatonin, and throws the body’s circadian rhythm completely out of whack. (The National Sleep Foundation recommends ending the use of electronic devices at least thirty minutes before bed.)
A love of theater and drama drives the work of architect and designer David Rockwell, who grew up in a theater-going famRockwell Group, has designed numerous hospitality, entertainment, and cultural spaces—from Nobu to NeueHouse to The Shed—plus dozens oKinky Boots and Hairspray. While theaters are officially closed for the rest of the year, here Rockwell brings the spirit of the stage home to us with a playlist of some of his favorite musical numbers. (For more from Rockwell, listen to Spencer interview him on Ep. 1 of The Workspace of Tomorrow podcast.)
This time of year usually signals rest and recharging for many, with relaxation and summer travels in store. All of thatNature Ecology & Evolution, scientists have coined a term for this particular window of time—the “anthropause”—and have set out to quantify its efbiologist Christian Rutz, one of the paper’s lead authors, told Wired. “And we acknowledge that in the article. But it’s one which we, as a scientific community, really can’t afford to missone scientist, volcanologist Jan Lindsay, said. “The ‘2020 seismic noise quiet period’ will likely become something that Earth science students of the future will lea
As civic life came to a grinding halt this spring, with cities in lockdown around the world, the vivacious cacophony of as Siri Hustvedt wrote in a beautiful Financial Times essay in late April. “I have come to think of the sirens as the city’s heartbreaking music, a high-pitched dirge that accompanies the numbe
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Festivals are canceled for the year, and online dance parties now a bit played out, several months into the pandemic—resHouse Party, a digital performance and semiweekly publication series from The Poetry Project (not to be confused with the social meCenter for Fiction, book talks with authors, such as one taking place on July 31 titled “The Long View: New Fiction from Edmund White and City Arts & Lectures, home to a trove of previously recorded conversations and upcoming talks that will be webcast and later available to ththis recent webcast between author Rebecca Solnit and actor and screenwriter Brit Marling (pictured above).
The 4th of July has at times been a fraught holiday for Americans, and the cause for celebration feels especially dubiouincluding Native Americans, disproportionately hard). In recent weeks, the nostalgia of fireworks—a visual and auditory spectacle innovated by Chiconspiracy theories on social media. They’ve also sparked debates about race, gentrification, class, and the privilege of calling the police for “quality ofireworks and hand sanitizer could make for a dangerous combination,” making the dazzling explosives, at least for this year, a peculiar, precarious assault on the senses, in more ways th
Live music is the lifeblood for the Woodstock, New York–based musician Amy Helm, who grew up with two musical parents, The Band’s drummer Levon Helm and singer Libby Titus. When the Covid-19 pandemicConnor Kennedy to take their show on the road, and to doorsteps around the Hudson Valley. We caught up with Helm just as New York was Curbside Pickup Band.
The Los Angeles–based industrial designer Jonathan Olivares produces works with a profound understanding and observation of how the human body sits and moves through space. But hiGo Skateboarding Day tomorrow, here he shares a playlist of his favorite skateboarding songs, and the legendary video parts that feature them. “This is a selection of songs that have been paired with some of my f
Layered compositions, calligraphic abstractions, and public spaces often factor into the works of Brooklyn-based Cuban-AmericanJosé Parlá, who has exhibited worldwide and installed large-scale murals in spaces ranging from inside the lobby of One World Trad“José Parlá: It’s Yours,” is currently on view at the Bronx Museum, through Jan. 10, 2021, though the museum is temporarily closed at the moment a playlist of some of his favorite Cuban songs to move to.
In an era where music streaming algorithms and data-driven suggestions can throw you for a loop, somehow leading you to Radiooooo—spelled with, count ’em, five O’s—around the idea of creating a crowdsourced time machine of music. While popular platfRadio Garden, which lets you tune into more than 8,000 radio stations from all over the world, each plotted onto a Google Earth–like